Identifying the transnational and transcultural aesthetics of Chinese diasporic art in Singapore : a study of Cheong Soo Pieng's works and experiences
This paper investigates Chinese diasporic modern art in Singapore through analysing Cheong Soo Pieng's (Xiamen, 1917 — Singapore, 1 July 1983) works and experiences before and after relocating from China to Singapore in 1946. Despite the extensive scholarship on the patterns of Chinese emigrati...
Main Author: | Goh, Anne Jia Juan |
---|---|
Other Authors: | Marc Gloede |
Format: | Thesis-Master by Coursework |
Language: | English |
Published: |
Nanyang Technological University
2021
|
Subjects: | |
Online Access: | https://hdl.handle.net/10356/152633 |
Similar Items
-
中國傳統藝術的綫性美感研究 = An aesthetic study of the traditional Chinese linear art
by: Tan, Tai Pang.
Published: (2009) -
The art of 'none' to 'nur' : meditating loss in relation to Islamic aesthetics and spirituality within mosque spaces in contemporary Singapore
by: Muhammad Noor Iskandar Othman
Published: (2018) -
From Chinese aesthetics to art and design : bringing Chinese aesthetics in Chinese ink paintings into product design
by: Wang, Cindy, et al.
Published: (2021) -
Contemplating Chineseness in 临摹 lapping emulations
by: Hong, Shu-ying
Published: (2021) -
Inked expressions: bridging the generational divide in Singapore's tattoo art and culture
by: Low, Andrea
Published: (2023)