| Summary: | 《唐诗艳逸品》为晚明杨肇祉所编的一部艳体唐诗选集，分名媛、香奁、观妓、名花四集。其
书最早于万历四十六年（１６１８）由李干宇盛芸阁刊刻，天启元年（１６２１）由乌程闵一栻重新按诗体编排，广搜名家评语，改正部分讹谬，重新刊刻。康熙丁卯年（１６８７）由吴任祖据天启本重刻。此外，《唐诗名花集》在日本尚有一个元禄九年（１６９６）的刻本，选诗与万历、天启二刻本实大相径庭。作为一部独具特色的艳体唐诗选本，《唐诗艳逸品》虽然在明代唐诗选本学史上有其重大价值，但其中多有误题、重收、作伪等文献疏漏的情况，呈现出了很强的商业出版物色彩。通过对此集之文献情况的考察，可以窥见明代商业出版唐诗选本之一斑。Tang Shi Yan Yi Pin is a collection of Tang poetry on female compiled by Yang Zhaozhi in the late Ming Dynasty and it consists of four sections namely Ming Yuan (celebrated ladies), Xiang Lian (aromatic cosmetic box), Guan Ji (observing the courtesans) and Ming Hua (notable flowers). It was first published in the 46th year of Wanli period (1618). In the first year of Tianqi period (1621), Min Yishi of Wucheng reedited and republished the anthology, which was republished by Wu Renzu in the Dingmao year of Kangxi era (1687). Apart from the Wanli and Tianqi editions, Ming Hua Ji has a Japanese version published in the ninth year of Genroku (1696) and its selection of poems is very different from that of Wanli and Tianqi editions. As a collection of Tang poetry on female, Tang Shi Yan Yi is of great value in the research on Tang poetry collection in the Ming dynasty. However, many mistakes in t such as false entitles, overlapping inclusions and fake works prove itself a typical example of commercial publication in the Ming Period. A detailed study of its documents is thus made for revealing some characteristics of a collection Tang poetry as a Ming commercial publication.
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