Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore

This thesis explores the role of the exhibition in constructing Peranakan identity within the Singapore context. The analysis centres on the physical aspects of the respective museum's permanent exhibition and focuses on (1) the use of the physical space/architecture and (2) use of exhibited...

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Bibliographic Details
Main Author: Tan, Luke Mathew Dong Sheng
Other Authors: Marc Gloede
Format: Thesis-Master by Coursework
Language:English
Published: Nanyang Technological University 2022
Subjects:
Online Access:https://hdl.handle.net/10356/157122
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author Tan, Luke Mathew Dong Sheng
author2 Marc Gloede
author_facet Marc Gloede
Tan, Luke Mathew Dong Sheng
author_sort Tan, Luke Mathew Dong Sheng
collection NTU
description This thesis explores the role of the exhibition in constructing Peranakan identity within the Singapore context. The analysis centres on the physical aspects of the respective museum's permanent exhibition and focuses on (1) the use of the physical space/architecture and (2) use of exhibited material culture to manifest the curatorial intention and/or exhibition's narrative (which inherently determines and shapes audience's perception of the Peranakan identity). Interviews were conducted with three individuals who operate within the museum context to supplement existing material and research as well as to generate contemporary insights into the subject matter.
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spelling ntu-10356/1571222023-03-11T20:03:21Z Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore Tan, Luke Mathew Dong Sheng Marc Gloede School of Art, Design and Media marc.gloede@ntu.edu.sg Visual arts and music::Art museums and galleries This thesis explores the role of the exhibition in constructing Peranakan identity within the Singapore context. The analysis centres on the physical aspects of the respective museum's permanent exhibition and focuses on (1) the use of the physical space/architecture and (2) use of exhibited material culture to manifest the curatorial intention and/or exhibition's narrative (which inherently determines and shapes audience's perception of the Peranakan identity). Interviews were conducted with three individuals who operate within the museum context to supplement existing material and research as well as to generate contemporary insights into the subject matter. Master of Arts (Museum Studies and Curatorial Practices) 2022-05-10T13:32:44Z 2022-05-10T13:32:44Z 2021 Thesis-Master by Coursework Tan, L. M. D. S. (2021). Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore. Master's thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/157122 https://hdl.handle.net/10356/157122 en application/pdf Nanyang Technological University
spellingShingle Visual arts and music::Art museums and galleries
Tan, Luke Mathew Dong Sheng
Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore
title Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore
title_full Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore
title_fullStr Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore
title_full_unstemmed Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore
title_short Constructing identities – the exhibition as a form to present the Peranakan within a museum context in Singapore
title_sort constructing identities the exhibition as a form to present the peranakan within a museum context in singapore
topic Visual arts and music::Art museums and galleries
url https://hdl.handle.net/10356/157122
work_keys_str_mv AT tanlukemathewdongsheng constructingidentitiestheexhibitionasaformtopresenttheperanakanwithinamuseumcontextinsingapore