Attaining subjectivity as the woman destroyed.

This paper discusses the woman's difficulty in writing about herself through a language that is phallocentric. As Simone de Beauvoir highlights in The Second Sex, "as long as she still has to become a human being, she cannot be a creator", woman's passivity is similarly reflected...

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Main Author: Chow, Ming Yan.
Other Authors: School of Humanities and Social Sciences
Format: Final Year Project (FYP)
Language:English
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/10356/35254
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author Chow, Ming Yan.
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
Chow, Ming Yan.
author_sort Chow, Ming Yan.
collection NTU
description This paper discusses the woman's difficulty in writing about herself through a language that is phallocentric. As Simone de Beauvoir highlights in The Second Sex, "as long as she still has to become a human being, she cannot be a creator", woman's passivity is similarly reflected in her writing through her struggle with words. In an attempt to construct her own subjectivity, the woman has to work within her circumstances and make herself heard. As a "woman" and The Other, she is destroyed both linguistically and socially. The state of destruction is a 'situation' that she faces as a woman. With the hope of liberating herself through self-articulation, the woman turns to writing as a form of 'rehabilitation'. Through the use of three different narrative styles in The Woman Destroyed, Beauvoir explores the themes of time, body and language as important aspects of women's writing. Although the three narrators in Beauvoir's short stores are presented as failed heroines, there is still a feminist conclusion to be drawn - the woman must faithfully invoke her own situation through her own destruction in order to attain self-actualisation.
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spelling ntu-10356/352542019-12-10T10:58:58Z Attaining subjectivity as the woman destroyed. Chow, Ming Yan. School of Humanities and Social Sciences Samara Anne Cahill DRNTU::Humanities::Literature::English This paper discusses the woman's difficulty in writing about herself through a language that is phallocentric. As Simone de Beauvoir highlights in The Second Sex, "as long as she still has to become a human being, she cannot be a creator", woman's passivity is similarly reflected in her writing through her struggle with words. In an attempt to construct her own subjectivity, the woman has to work within her circumstances and make herself heard. As a "woman" and The Other, she is destroyed both linguistically and socially. The state of destruction is a 'situation' that she faces as a woman. With the hope of liberating herself through self-articulation, the woman turns to writing as a form of 'rehabilitation'. Through the use of three different narrative styles in The Woman Destroyed, Beauvoir explores the themes of time, body and language as important aspects of women's writing. Although the three narrators in Beauvoir's short stores are presented as failed heroines, there is still a feminist conclusion to be drawn - the woman must faithfully invoke her own situation through her own destruction in order to attain self-actualisation. Bachelor of Arts 2010-04-14T03:00:30Z 2010-04-14T03:00:30Z 2010 2010 Final Year Project (FYP) http://hdl.handle.net/10356/35254 en Nanyang Technological University 34 p. application/pdf
spellingShingle DRNTU::Humanities::Literature::English
Chow, Ming Yan.
Attaining subjectivity as the woman destroyed.
title Attaining subjectivity as the woman destroyed.
title_full Attaining subjectivity as the woman destroyed.
title_fullStr Attaining subjectivity as the woman destroyed.
title_full_unstemmed Attaining subjectivity as the woman destroyed.
title_short Attaining subjectivity as the woman destroyed.
title_sort attaining subjectivity as the woman destroyed
topic DRNTU::Humanities::Literature::English
url http://hdl.handle.net/10356/35254
work_keys_str_mv AT chowmingyan attainingsubjectivityasthewomandestroyed