Film authorship in Singapore cinema.
In Authorship and Film, Janet Staiger said, “authorship is always a way of looking at films” (28). Film is a medium that necessitates the effort of a whole team to produce. The process of singling out an individual to be the author of the film has always been evolving, and there are different ways t...
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| Format: | Final Year Project (FYP) |
| Language: | English |
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2010
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| Online Access: | http://hdl.handle.net/10356/42455 |
| _version_ | 1811679504710500352 |
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| author | Ong, Yi Zhen. |
| author2 | Brian Keith Bergen-Aurand |
| author_facet | Brian Keith Bergen-Aurand Ong, Yi Zhen. |
| author_sort | Ong, Yi Zhen. |
| collection | NTU |
| description | In Authorship and Film, Janet Staiger said, “authorship is always a way of looking at films” (28). Film is a medium that necessitates the effort of a whole team to produce. The process of singling out an individual to be the author of the film has always been evolving, and there are different ways to identify an author. This analysis will help us better understand the relational factors between authorship and films. Then, I will be examining on how different manifestations of authorship theories can be put into perspective of the Singapore film industry. With that, I argue that Singapore film authors are created through different cultural and social occurrences. |
| first_indexed | 2024-10-01T03:10:13Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/42455 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T03:10:13Z |
| publishDate | 2010 |
| record_format | dspace |
| spelling | ntu-10356/424552019-12-10T10:54:09Z Film authorship in Singapore cinema. Ong, Yi Zhen. Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Social sciences::Mass media::Broadcasting::Motion pictures and films In Authorship and Film, Janet Staiger said, “authorship is always a way of looking at films” (28). Film is a medium that necessitates the effort of a whole team to produce. The process of singling out an individual to be the author of the film has always been evolving, and there are different ways to identify an author. This analysis will help us better understand the relational factors between authorship and films. Then, I will be examining on how different manifestations of authorship theories can be put into perspective of the Singapore film industry. With that, I argue that Singapore film authors are created through different cultural and social occurrences. Bachelor of Arts 2010-12-13T06:40:05Z 2010-12-13T06:40:05Z 2010 2010 Final Year Project (FYP) http://hdl.handle.net/10356/42455 en Nanyang Technological University 36 p. application/pdf |
| spellingShingle | DRNTU::Social sciences::Mass media::Broadcasting::Motion pictures and films Ong, Yi Zhen. Film authorship in Singapore cinema. |
| title | Film authorship in Singapore cinema. |
| title_full | Film authorship in Singapore cinema. |
| title_fullStr | Film authorship in Singapore cinema. |
| title_full_unstemmed | Film authorship in Singapore cinema. |
| title_short | Film authorship in Singapore cinema. |
| title_sort | film authorship in singapore cinema |
| topic | DRNTU::Social sciences::Mass media::Broadcasting::Motion pictures and films |
| url | http://hdl.handle.net/10356/42455 |
| work_keys_str_mv | AT ongyizhen filmauthorshipinsingaporecinema |