Community and heritage in African-American women's novels

This thesis attempts to document the range of responses African-American women writers have posited regarding their concerns with history, identity and culture. Black female identity and historical experience are presented as inextricably linked by these writers, and coming to terms with racial and...

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Bibliographic Details
Main Author: Sakhar Govindan Nair.
Other Authors: National Institute of Education
Format: Thesis
Language:English
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/10356/42761
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author Sakhar Govindan Nair.
author2 National Institute of Education
author_facet National Institute of Education
Sakhar Govindan Nair.
author_sort Sakhar Govindan Nair.
collection NTU
description This thesis attempts to document the range of responses African-American women writers have posited regarding their concerns with history, identity and culture. Black female identity and historical experience are presented as inextricably linked by these writers, and coming to terms with racial and gender history is deemed essential towards constructing tenable black female identities. As a result, this thesis finds that African-American women's works consistently assert the necessity of intellectually and emotionally understanding historical experience to become and remain a fully functional black woman. By doing so, I hope this thesis contributes to the process of documenting the linked strategies of persistence by which African- American women have communicated, written and published. As critical paradigms to explore the salient features of such a writing tradition are still in the process of forming, the specific vocabulary of exploration matters much less than the need to restore forgotten or ignored voices to the human chorus. I hope this thesis contributes a chord.
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spelling ntu-10356/427612020-11-01T06:09:18Z Community and heritage in African-American women's novels Sakhar Govindan Nair. National Institute of Education Max LeBlond DRNTU::Visual arts and music This thesis attempts to document the range of responses African-American women writers have posited regarding their concerns with history, identity and culture. Black female identity and historical experience are presented as inextricably linked by these writers, and coming to terms with racial and gender history is deemed essential towards constructing tenable black female identities. As a result, this thesis finds that African-American women's works consistently assert the necessity of intellectually and emotionally understanding historical experience to become and remain a fully functional black woman. By doing so, I hope this thesis contributes to the process of documenting the linked strategies of persistence by which African- American women have communicated, written and published. As critical paradigms to explore the salient features of such a writing tradition are still in the process of forming, the specific vocabulary of exploration matters much less than the need to restore forgotten or ignored voices to the human chorus. I hope this thesis contributes a chord. Master of Arts 2011-01-11T01:26:35Z 2011-01-11T01:26:35Z 1998 1998 Thesis http://hdl.handle.net/10356/42761 en 167 p. application/pdf
spellingShingle DRNTU::Visual arts and music
Sakhar Govindan Nair.
Community and heritage in African-American women's novels
title Community and heritage in African-American women's novels
title_full Community and heritage in African-American women's novels
title_fullStr Community and heritage in African-American women's novels
title_full_unstemmed Community and heritage in African-American women's novels
title_short Community and heritage in African-American women's novels
title_sort community and heritage in african american women s novels
topic DRNTU::Visual arts and music
url http://hdl.handle.net/10356/42761
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