F( . )( . )D.

As a young female photographer, I grew up watching explicit sexual brassieres’ advertisements, which are supposed to make women feel comfortable and sexy when they purchase the product. Ultimately, these advertisements are out to increase sales. However, this method of employing sexuality to sell pr...

Full description

Bibliographic Details
Main Author: Koh, Wei Ling.
Other Authors: Paul Kohl
Format: Final Year Project (FYP)
Language:English
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/10356/43972
_version_ 1826112049107697664
author Koh, Wei Ling.
author2 Paul Kohl
author_facet Paul Kohl
Koh, Wei Ling.
author_sort Koh, Wei Ling.
collection NTU
description As a young female photographer, I grew up watching explicit sexual brassieres’ advertisements, which are supposed to make women feel comfortable and sexy when they purchase the product. Ultimately, these advertisements are out to increase sales. However, this method of employing sexuality to sell products is ironic to the Chinese culture in Singapore as it is considered a social taboo and an immodesty for females not to wear their brassieres in public. This phenomenon has also made me question the sort of images viewers are consuming from the media, if aesthetics had caused viewers to be blind from a content that would be frowned upon in reality. Hence, I chose to use the brassiere to replace the food in my pictures, in an attempt to make people stop and ponder the usage of sexuality behind image construction. Humor is also injected into the images as subversion of this phenomenon, and to stop viewers from their immediate response of unquestioned consumption.
first_indexed 2024-10-01T03:00:53Z
format Final Year Project (FYP)
id ntu-10356/43972
institution Nanyang Technological University
language English
last_indexed 2024-10-01T03:00:53Z
publishDate 2011
record_format dspace
spelling ntu-10356/439722019-12-10T11:13:59Z F( . )( . )D. Koh, Wei Ling. Paul Kohl School of Art, Design and Media DRNTU::Visual arts and music::Photography As a young female photographer, I grew up watching explicit sexual brassieres’ advertisements, which are supposed to make women feel comfortable and sexy when they purchase the product. Ultimately, these advertisements are out to increase sales. However, this method of employing sexuality to sell products is ironic to the Chinese culture in Singapore as it is considered a social taboo and an immodesty for females not to wear their brassieres in public. This phenomenon has also made me question the sort of images viewers are consuming from the media, if aesthetics had caused viewers to be blind from a content that would be frowned upon in reality. Hence, I chose to use the brassiere to replace the food in my pictures, in an attempt to make people stop and ponder the usage of sexuality behind image construction. Humor is also injected into the images as subversion of this phenomenon, and to stop viewers from their immediate response of unquestioned consumption. Bachelor of Fine Arts 2011-05-16T07:57:36Z 2011-05-16T07:57:36Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/43972 en Nanyang Technological University 20 p. application/pdf
spellingShingle DRNTU::Visual arts and music::Photography
Koh, Wei Ling.
F( . )( . )D.
title F( . )( . )D.
title_full F( . )( . )D.
title_fullStr F( . )( . )D.
title_full_unstemmed F( . )( . )D.
title_short F( . )( . )D.
title_sort f d
topic DRNTU::Visual arts and music::Photography
url http://hdl.handle.net/10356/43972
work_keys_str_mv AT kohweiling fd