3-D films : birth of an artificial world and the new reality.

Siegfried Kracauer states that the “human consciousness is increasingly led away from totality, reality, and immediate experience, and towards the pseudo-reality of a form of distracted mass culture” and the condition of this phenomenon lies within the purposeful structure of 3-D movies (Aitkin 157)...

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Main Author: Teng, Angela Li Rong.
Other Authors: Brian Keith Bergen-Aurand
Format: Final Year Project (FYP)
Language:English
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/10356/44193
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author Teng, Angela Li Rong.
author2 Brian Keith Bergen-Aurand
author_facet Brian Keith Bergen-Aurand
Teng, Angela Li Rong.
author_sort Teng, Angela Li Rong.
collection NTU
description Siegfried Kracauer states that the “human consciousness is increasingly led away from totality, reality, and immediate experience, and towards the pseudo-reality of a form of distracted mass culture” and the condition of this phenomenon lies within the purposeful structure of 3-D movies (Aitkin 157). By using films such as Audioscopiks (1935), The Polar Express (2004) and Avatar (2009), I will look into the condition of the human consciousness within the mass culture divide, exploring on the understanding of the concept of “Distraction” that influences and shapes the mass culture phenomenon that is present in these films. What we view as normal films actually do have greater meaning within them. We may not know of it but we are the ones that are willing parties wanting to be distracted and this condition is attributed to the current stressful conditions of modernity. Can the society find a resolution to this situation or are we just as clueless?
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spelling ntu-10356/441932019-12-10T11:43:23Z 3-D films : birth of an artificial world and the new reality. Teng, Angela Li Rong. Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Humanities Siegfried Kracauer states that the “human consciousness is increasingly led away from totality, reality, and immediate experience, and towards the pseudo-reality of a form of distracted mass culture” and the condition of this phenomenon lies within the purposeful structure of 3-D movies (Aitkin 157). By using films such as Audioscopiks (1935), The Polar Express (2004) and Avatar (2009), I will look into the condition of the human consciousness within the mass culture divide, exploring on the understanding of the concept of “Distraction” that influences and shapes the mass culture phenomenon that is present in these films. What we view as normal films actually do have greater meaning within them. We may not know of it but we are the ones that are willing parties wanting to be distracted and this condition is attributed to the current stressful conditions of modernity. Can the society find a resolution to this situation or are we just as clueless? Bachelor of Arts 2011-05-31T00:59:00Z 2011-05-31T00:59:00Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/44193 en Nanyang Technological University 24 p. application/msword
spellingShingle DRNTU::Humanities
Teng, Angela Li Rong.
3-D films : birth of an artificial world and the new reality.
title 3-D films : birth of an artificial world and the new reality.
title_full 3-D films : birth of an artificial world and the new reality.
title_fullStr 3-D films : birth of an artificial world and the new reality.
title_full_unstemmed 3-D films : birth of an artificial world and the new reality.
title_short 3-D films : birth of an artificial world and the new reality.
title_sort 3 d films birth of an artificial world and the new reality
topic DRNTU::Humanities
url http://hdl.handle.net/10356/44193
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