Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial direc...
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| Other Authors: | |
| Format: | Final Year Project (FYP) |
| Language: | English |
| Published: |
2011
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| Subjects: | |
| Online Access: | http://hdl.handle.net/10356/44308 |
| _version_ | 1826115803417673728 |
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| author | Arifin, Nursharini. |
| author2 | Terence Richard Dawson |
| author_facet | Terence Richard Dawson Arifin, Nursharini. |
| author_sort | Arifin, Nursharini. |
| collection | NTU |
| description | This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial directorial figure in the turbulent swinging sixties era of British society. From his groundbreaking use of “dissolves” to his exploration of childhood innocence, faith and spirituality and the tension between dream and reality, Clayton’s films leave everything to the imagination. |
| first_indexed | 2024-10-01T04:01:08Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/44308 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T04:01:08Z |
| publishDate | 2011 |
| record_format | dspace |
| spelling | ntu-10356/443082019-12-10T12:33:05Z Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. Arifin, Nursharini. Terence Richard Dawson School of Humanities and Social Sciences DRNTU::Humanities::Literature::English This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial directorial figure in the turbulent swinging sixties era of British society. From his groundbreaking use of “dissolves” to his exploration of childhood innocence, faith and spirituality and the tension between dream and reality, Clayton’s films leave everything to the imagination. Bachelor of Arts 2011-06-01T01:24:26Z 2011-06-01T01:24:26Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/44308 en Nanyang Technological University 35 p. application/pdf |
| spellingShingle | DRNTU::Humanities::Literature::English Arifin, Nursharini. Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. |
| title | Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. |
| title_full | Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. |
| title_fullStr | Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. |
| title_full_unstemmed | Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. |
| title_short | Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. |
| title_sort | clayton diagnosed rendering objectivity in the innocents and our mother s house |
| topic | DRNTU::Humanities::Literature::English |
| url | http://hdl.handle.net/10356/44308 |
| work_keys_str_mv | AT arifinnursharini claytondiagnosedrenderingobjectivityintheinnocentsandourmothershouse |