On Singaporean cinema : or in(visible) boundaries.
This essay examines the ‘imagined’ boundaries of Singaporean cinema, subverts it, and asserts that the boundaries are in(visible) simply because it is a concept that rests on fluid definitions therefore there is difficulty in determining its structure. It engages an inward-looking stance at Singapor...
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| Other Authors: | |
| Format: | Final Year Project (FYP) |
| Language: | English |
| Published: |
2011
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| Online Access: | http://hdl.handle.net/10356/44437 |
| _version_ | 1826116270209105920 |
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| author | Lee, Veronica Mun Ting. |
| author2 | Jeremy Fernando |
| author_facet | Jeremy Fernando Lee, Veronica Mun Ting. |
| author_sort | Lee, Veronica Mun Ting. |
| collection | NTU |
| description | This essay examines the ‘imagined’ boundaries of Singaporean cinema, subverts it, and asserts that the boundaries are in(visible) simply because it is a concept that rests on fluid definitions therefore there is difficulty in determining its structure. It engages an inward-looking stance at Singaporean cinema, engages in its intricacies, to challenge the static concept of national cinema, which ultimately demonstrates how the notion of one single national cinema no longer qualifies. |
| first_indexed | 2024-10-01T04:08:34Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/44437 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T04:08:34Z |
| publishDate | 2011 |
| record_format | dspace |
| spelling | ntu-10356/444372019-12-10T13:06:58Z On Singaporean cinema : or in(visible) boundaries. Lee, Veronica Mun Ting. Jeremy Fernando School of Humanities and Social Sciences DRNTU::Humanities::Literature::Singapore This essay examines the ‘imagined’ boundaries of Singaporean cinema, subverts it, and asserts that the boundaries are in(visible) simply because it is a concept that rests on fluid definitions therefore there is difficulty in determining its structure. It engages an inward-looking stance at Singaporean cinema, engages in its intricacies, to challenge the static concept of national cinema, which ultimately demonstrates how the notion of one single national cinema no longer qualifies. Bachelor of Arts 2011-06-01T08:04:10Z 2011-06-01T08:04:10Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/44437 en Nanyang Technological University 32 p. application/pdf |
| spellingShingle | DRNTU::Humanities::Literature::Singapore Lee, Veronica Mun Ting. On Singaporean cinema : or in(visible) boundaries. |
| title | On Singaporean cinema : or in(visible) boundaries. |
| title_full | On Singaporean cinema : or in(visible) boundaries. |
| title_fullStr | On Singaporean cinema : or in(visible) boundaries. |
| title_full_unstemmed | On Singaporean cinema : or in(visible) boundaries. |
| title_short | On Singaporean cinema : or in(visible) boundaries. |
| title_sort | on singaporean cinema or in visible boundaries |
| topic | DRNTU::Humanities::Literature::Singapore |
| url | http://hdl.handle.net/10356/44437 |
| work_keys_str_mv | AT leeveronicamunting onsingaporeancinemaorinvisibleboundaries |