Hearing what is not said; seeing what is not written.
This essay explores the silences and absences in Alan Paton's Cry, the Beloved Country and J. M. Coetzee's Disgrace. In both novels, parts of the plots are purposely left out and characters are silenced or keep silent. Unlike aural silence, literary absences and silences can only be concei...
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| Other Authors: | |
| Format: | Final Year Project (FYP) |
| Language: | English |
| Published: |
2011
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| Online Access: | http://hdl.handle.net/10356/45182 |
| _version_ | 1824453305326108672 |
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| author | Han, Peiyi. |
| author2 | Bede Tregear Scott |
| author_facet | Bede Tregear Scott Han, Peiyi. |
| author_sort | Han, Peiyi. |
| collection | NTU |
| description | This essay explores the silences and absences in Alan Paton's Cry, the Beloved Country and J. M. Coetzee's Disgrace. In both novels, parts of the plots are purposely left out and characters are silenced or keep silent. Unlike aural silence, literary absences and silences can only be conceived and be meaningful when they are framed by specific contexts. In the novels, what is absent gradually occupies the imaginations of the readers such that they become too loud to remain ignored. These absences and silences is associated with the psychological trauma of Africa's apartheid. While this mental trauma cannot be linguistically expressed by the characters, silence becomes a more viable way of communication. |
| first_indexed | 2024-10-01T07:58:13Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/45182 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T07:58:13Z |
| publishDate | 2011 |
| record_format | dspace |
| spelling | ntu-10356/451822019-12-10T14:46:46Z Hearing what is not said; seeing what is not written. Han, Peiyi. Bede Tregear Scott School of Humanities and Social Sciences DRNTU::Humanities::Literature::English This essay explores the silences and absences in Alan Paton's Cry, the Beloved Country and J. M. Coetzee's Disgrace. In both novels, parts of the plots are purposely left out and characters are silenced or keep silent. Unlike aural silence, literary absences and silences can only be conceived and be meaningful when they are framed by specific contexts. In the novels, what is absent gradually occupies the imaginations of the readers such that they become too loud to remain ignored. These absences and silences is associated with the psychological trauma of Africa's apartheid. While this mental trauma cannot be linguistically expressed by the characters, silence becomes a more viable way of communication. Bachelor of Arts 2011-06-09T08:21:27Z 2011-06-09T08:21:27Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/45182 en Nanyang Technological University 37 p. application/msword |
| spellingShingle | DRNTU::Humanities::Literature::English Han, Peiyi. Hearing what is not said; seeing what is not written. |
| title | Hearing what is not said; seeing what is not written. |
| title_full | Hearing what is not said; seeing what is not written. |
| title_fullStr | Hearing what is not said; seeing what is not written. |
| title_full_unstemmed | Hearing what is not said; seeing what is not written. |
| title_short | Hearing what is not said; seeing what is not written. |
| title_sort | hearing what is not said seeing what is not written |
| topic | DRNTU::Humanities::Literature::English |
| url | http://hdl.handle.net/10356/45182 |
| work_keys_str_mv | AT hanpeiyi hearingwhatisnotsaidseeingwhatisnotwritten |