Moving images.
The camera's rendering of reality always hides more than it discloses and as such, there is a focus on the perspective of the operator. The resultant visual images, based upon the composition of the subject within the frame of the camera carry within them, a specific image; a semblance of reali...
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| Format: | Final Year Project (FYP) |
| Language: | English |
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2012
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| Online Access: | http://hdl.handle.net/10356/49606 |
| _version_ | 1811695752391426048 |
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| author | Tan, Jonathan Zhi Ming. |
| author2 | School of Humanities and Social Sciences |
| author_facet | School of Humanities and Social Sciences Tan, Jonathan Zhi Ming. |
| author_sort | Tan, Jonathan Zhi Ming. |
| collection | NTU |
| description | The camera's rendering of reality always hides more than it discloses and as such, there is a focus on the perspective of the operator. The resultant visual images, based upon the composition of the subject within the frame of the camera carry within them, a specific image; a semblance of reality and a message that has been composed within its very structure. However, place the photographic image within the structure of a text, and it becomes a part of the text, losing the autonomy of its meaning and takes on a meaning that has been framed by the text. This means that the modern reader-viewer would have to be conscious of the messages ascribed by visual images in text because of this. |
| first_indexed | 2024-10-01T07:28:28Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/49606 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T07:28:28Z |
| publishDate | 2012 |
| record_format | dspace |
| spelling | ntu-10356/496062019-12-10T14:02:10Z Moving images. Tan, Jonathan Zhi Ming. School of Humanities and Social Sciences Jessie Morgan-Owens DRNTU::Humanities::Literature The camera's rendering of reality always hides more than it discloses and as such, there is a focus on the perspective of the operator. The resultant visual images, based upon the composition of the subject within the frame of the camera carry within them, a specific image; a semblance of reality and a message that has been composed within its very structure. However, place the photographic image within the structure of a text, and it becomes a part of the text, losing the autonomy of its meaning and takes on a meaning that has been framed by the text. This means that the modern reader-viewer would have to be conscious of the messages ascribed by visual images in text because of this. Bachelor of Arts 2012-05-22T06:05:33Z 2012-05-22T06:05:33Z 2012 2012 Final Year Project (FYP) http://hdl.handle.net/10356/49606 en Nanyang Technological University 35 p. application/pdf |
| spellingShingle | DRNTU::Humanities::Literature Tan, Jonathan Zhi Ming. Moving images. |
| title | Moving images. |
| title_full | Moving images. |
| title_fullStr | Moving images. |
| title_full_unstemmed | Moving images. |
| title_short | Moving images. |
| title_sort | moving images |
| topic | DRNTU::Humanities::Literature |
| url | http://hdl.handle.net/10356/49606 |
| work_keys_str_mv | AT tanjonathanzhiming movingimages |