The selfishness of reality in Blowup.

The conception of the 1966 film BlowUp comes from the filmmaker Michelangelo Antonioni’s questioning of “the nature of reality” (Garner, Antonioni’s Blow-Up 7). This is precisely what sets the preliminary investigation of this paper- what actually is the nature of reality? This paper argues that the...

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Main Author: Ng, Caine Yuan Peng.
Other Authors: School of Humanities and Social Sciences
Format: Final Year Project (FYP)
Language:English
Published: 2012
Subjects:
Online Access:http://hdl.handle.net/10356/50605
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author Ng, Caine Yuan Peng.
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
Ng, Caine Yuan Peng.
author_sort Ng, Caine Yuan Peng.
collection NTU
description The conception of the 1966 film BlowUp comes from the filmmaker Michelangelo Antonioni’s questioning of “the nature of reality” (Garner, Antonioni’s Blow-Up 7). This is precisely what sets the preliminary investigation of this paper- what actually is the nature of reality? This paper argues that the nature of reality is subjected and embodied by the individual, and further qualifies that the individual experience (of reality) is constantly changing through a negotiation of time and space. In short, the nature of reality is not only subjective ; it is also an embodiment by the individual who is always adapting through time and space. An objective and yet conventional way of looking at reality is offered by The Oxford English Dictionary which defines reality as “the state of things as they actually exist, as opposed to an idealistic or notional idea of them” (OED). This paper does not agree with the given definition. Rather, it attempts to debunk such a parochial understanding of reality by arguing for reality to exist even beyond the state of things as they “actually exist”. Reality, and in fact, the nature of reality must expand to include the ever-changing idealistic and notional idea of things as subscribed by the individual.
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spelling ntu-10356/506052019-12-10T13:16:53Z The selfishness of reality in Blowup. Ng, Caine Yuan Peng. School of Humanities and Social Sciences Jessie Morgan-Owens DRNTU::Humanities The conception of the 1966 film BlowUp comes from the filmmaker Michelangelo Antonioni’s questioning of “the nature of reality” (Garner, Antonioni’s Blow-Up 7). This is precisely what sets the preliminary investigation of this paper- what actually is the nature of reality? This paper argues that the nature of reality is subjected and embodied by the individual, and further qualifies that the individual experience (of reality) is constantly changing through a negotiation of time and space. In short, the nature of reality is not only subjective ; it is also an embodiment by the individual who is always adapting through time and space. An objective and yet conventional way of looking at reality is offered by The Oxford English Dictionary which defines reality as “the state of things as they actually exist, as opposed to an idealistic or notional idea of them” (OED). This paper does not agree with the given definition. Rather, it attempts to debunk such a parochial understanding of reality by arguing for reality to exist even beyond the state of things as they “actually exist”. Reality, and in fact, the nature of reality must expand to include the ever-changing idealistic and notional idea of things as subscribed by the individual. Bachelor of Arts 2012-07-24T07:32:18Z 2012-07-24T07:32:18Z 2012 2012 Final Year Project (FYP) http://hdl.handle.net/10356/50605 en Nanyang Technological University 36 p. application/msword
spellingShingle DRNTU::Humanities
Ng, Caine Yuan Peng.
The selfishness of reality in Blowup.
title The selfishness of reality in Blowup.
title_full The selfishness of reality in Blowup.
title_fullStr The selfishness of reality in Blowup.
title_full_unstemmed The selfishness of reality in Blowup.
title_short The selfishness of reality in Blowup.
title_sort selfishness of reality in blowup
topic DRNTU::Humanities
url http://hdl.handle.net/10356/50605
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