“Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences.
This research paper seeks to analyze the intersection between disability and song and dance sequences in Bollywood films within the last decade. Song and dance sequences as fixed structures presume the ability of bodies to lip sync and dance in a particular manner. These structures exclude differenc...
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| Format: | Final Year Project (FYP) |
| Language: | English |
| Published: |
2013
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| Online Access: | http://hdl.handle.net/10356/52163 |
| _version_ | 1826114116984504320 |
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| author | Nurril Hirfana Mohamed Noor. |
| author2 | Brian Keith Bergen-Aurand |
| author_facet | Brian Keith Bergen-Aurand Nurril Hirfana Mohamed Noor. |
| author_sort | Nurril Hirfana Mohamed Noor. |
| collection | NTU |
| description | This research paper seeks to analyze the intersection between disability and song and dance sequences in Bollywood films within the last decade. Song and dance sequences as fixed structures presume the ability of bodies to lip sync and dance in a particular manner. These structures exclude difference and project uniformity. Where are 'disabled' bodies then located? How is disability treated in song and dance sequences? Can difference be introduced in these structures? My research paper will address these questions in the analysis of bodies in song and dance sequences from five films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!. |
| first_indexed | 2024-10-01T03:33:55Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/52163 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T03:33:55Z |
| publishDate | 2013 |
| record_format | dspace |
| spelling | ntu-10356/521632021-02-17T08:22:49Z “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. Nurril Hirfana Mohamed Noor. Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Visual arts and music::Film DRNTU::Humanities::Literature::English This research paper seeks to analyze the intersection between disability and song and dance sequences in Bollywood films within the last decade. Song and dance sequences as fixed structures presume the ability of bodies to lip sync and dance in a particular manner. These structures exclude difference and project uniformity. Where are 'disabled' bodies then located? How is disability treated in song and dance sequences? Can difference be introduced in these structures? My research paper will address these questions in the analysis of bodies in song and dance sequences from five films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!. Bachelor of Arts 2013-04-24T05:32:01Z 2013-04-24T05:32:01Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52163 en 40 p. application/pdf |
| spellingShingle | DRNTU::Visual arts and music::Film DRNTU::Humanities::Literature::English Nurril Hirfana Mohamed Noor. “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. |
| title | “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. |
| title_full | “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. |
| title_fullStr | “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. |
| title_full_unstemmed | “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. |
| title_short | “Pappu Can’t Dance Saala” : dis–locating bodies in Bollywood song and dance sequences. |
| title_sort | pappu can t dance saala dis locating bodies in bollywood song and dance sequences |
| topic | DRNTU::Visual arts and music::Film DRNTU::Humanities::Literature::English |
| url | http://hdl.handle.net/10356/52163 |
| work_keys_str_mv | AT nurrilhirfanamohamednoor pappucantdancesaaladislocatingbodiesinbollywoodsonganddancesequences |