Sense and sensibility and Mansfield Park : inner worlds and modernity.

In her book In The Meantime: Character and Perception in Jane Austen’s Fiction, Susan Morgan argues that in Austen “the proper use of imagination is continuous, a creative process of perception and judgment” (Duckworth 97). In his review of Morgan’s work, Alistair Duckworth notes that Morgan’s readi...

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Bibliographic Details
Main Author: Chang, Victoria Kai Ling.
Other Authors: Terence Richard Dawson
Format: Final Year Project (FYP)
Language:English
Published: 2013
Subjects:
Online Access:http://hdl.handle.net/10356/52179
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author Chang, Victoria Kai Ling.
author2 Terence Richard Dawson
author_facet Terence Richard Dawson
Chang, Victoria Kai Ling.
author_sort Chang, Victoria Kai Ling.
collection NTU
description In her book In The Meantime: Character and Perception in Jane Austen’s Fiction, Susan Morgan argues that in Austen “the proper use of imagination is continuous, a creative process of perception and judgment” (Duckworth 97). In his review of Morgan’s work, Alistair Duckworth notes that Morgan’s readings of Austen’s work “offer the alternative of a more modern author who […] creates characters who respond imaginatively to events unfolding in time” (Duckworth 97). By “stressing the fluidity of mental processes” in a character then, Austen can thus be seen as “a novelist opposed to dogmatic truths, committed to the particulars of experience, and open to future possibilities in a mood of optimistic skepticism” (Duckworth 97). Any attempt to identify the more modern aspects of Austen’s work hence merits a study of character thought processes which reveal the use of the imagination and judgment.
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spelling ntu-10356/521792019-12-10T14:11:48Z Sense and sensibility and Mansfield Park : inner worlds and modernity. Chang, Victoria Kai Ling. Terence Richard Dawson School of Humanities and Social Sciences DRNTU::Humanities In her book In The Meantime: Character and Perception in Jane Austen’s Fiction, Susan Morgan argues that in Austen “the proper use of imagination is continuous, a creative process of perception and judgment” (Duckworth 97). In his review of Morgan’s work, Alistair Duckworth notes that Morgan’s readings of Austen’s work “offer the alternative of a more modern author who […] creates characters who respond imaginatively to events unfolding in time” (Duckworth 97). By “stressing the fluidity of mental processes” in a character then, Austen can thus be seen as “a novelist opposed to dogmatic truths, committed to the particulars of experience, and open to future possibilities in a mood of optimistic skepticism” (Duckworth 97). Any attempt to identify the more modern aspects of Austen’s work hence merits a study of character thought processes which reveal the use of the imagination and judgment. Bachelor of Arts 2013-04-24T08:06:49Z 2013-04-24T08:06:49Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52179 en Nanyang Technological University 34 p. application/pdf application/pdf
spellingShingle DRNTU::Humanities
Chang, Victoria Kai Ling.
Sense and sensibility and Mansfield Park : inner worlds and modernity.
title Sense and sensibility and Mansfield Park : inner worlds and modernity.
title_full Sense and sensibility and Mansfield Park : inner worlds and modernity.
title_fullStr Sense and sensibility and Mansfield Park : inner worlds and modernity.
title_full_unstemmed Sense and sensibility and Mansfield Park : inner worlds and modernity.
title_short Sense and sensibility and Mansfield Park : inner worlds and modernity.
title_sort sense and sensibility and mansfield park inner worlds and modernity
topic DRNTU::Humanities
url http://hdl.handle.net/10356/52179
work_keys_str_mv AT changvictoriakailing senseandsensibilityandmansfieldparkinnerworldsandmodernity