"Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Wh...
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Format: | Final Year Project (FYP) |
Language: | English |
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2013
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Online Access: | http://hdl.handle.net/10356/52197 |
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author | Nurril Hirfana Mohamed Noor. |
author2 | Brian Keith Bergen-Aurand |
author_facet | Brian Keith Bergen-Aurand Nurril Hirfana Mohamed Noor. |
author_sort | Nurril Hirfana Mohamed Noor. |
collection | NTU |
description | This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Where are 'disabled' bodies then located? How is difference projected in these sequences? My research paper will address these questions in the following films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!. |
first_indexed | 2024-10-01T05:14:40Z |
format | Final Year Project (FYP) |
id | ntu-10356/52197 |
institution | Nanyang Technological University |
language | English |
last_indexed | 2024-10-01T05:14:40Z |
publishDate | 2013 |
record_format | dspace |
spelling | ntu-10356/521972019-12-10T13:21:54Z "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. Nurril Hirfana Mohamed Noor. Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Humanities::Literature DRNTU::Visual arts and music::Film This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Where are 'disabled' bodies then located? How is difference projected in these sequences? My research paper will address these questions in the following films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!. Bachelor of Arts 2013-04-25T02:48:40Z 2013-04-25T02:48:40Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52197 en Nanyang Technological University 40 p. application/pdf |
spellingShingle | DRNTU::Humanities::Literature DRNTU::Visual arts and music::Film Nurril Hirfana Mohamed Noor. "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. |
title | "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. |
title_full | "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. |
title_fullStr | "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. |
title_full_unstemmed | "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. |
title_short | "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. |
title_sort | pappu can t dance saala dis locating bodies in bollywood song and dance sequences |
topic | DRNTU::Humanities::Literature DRNTU::Visual arts and music::Film |
url | http://hdl.handle.net/10356/52197 |
work_keys_str_mv | AT nurrilhirfanamohamednoor pappucantdancesaaladislocatingbodiesinbollywoodsonganddancesequences |