Disobedience and desire as female empowerment ; Red Riding Hood grows up.

Discussions of Red Riding Hood have focused predominantly on its genre as children's literature, the symbol of the red cloak as sexual awakening amongst others. This paper seeks to shed new light on Red Riding Hood by looking at her as a female instead of a child, and exploring the idea of diso...

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Main Author: Ng, Calista Bi Qing.
Other Authors: School of Humanities and Social Sciences
Format: Final Year Project (FYP)
Language:English
Published: 2013
Subjects:
Online Access:http://hdl.handle.net/10356/52214
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author Ng, Calista Bi Qing.
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
Ng, Calista Bi Qing.
author_sort Ng, Calista Bi Qing.
collection NTU
description Discussions of Red Riding Hood have focused predominantly on its genre as children's literature, the symbol of the red cloak as sexual awakening amongst others. This paper seeks to shed new light on Red Riding Hood by looking at her as a female instead of a child, and exploring the idea of disobedience and desire within the tale, from its early narratives to modern film adaptations. Film was chosen as a medium due to its visual nature, to discuss the notion of the gaze, as well as provide a more accurate depiction of female empowerment today. This paper seeks to explore the idea of disobedience through its constituent elements: knowledge, desire, the male cinematic gaze and the home as a patriarchal construct, and how disobedience is necessary in order for Red to achieve empowerment in a patriarchal society.
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spelling ntu-10356/522142019-12-10T12:27:12Z Disobedience and desire as female empowerment ; Red Riding Hood grows up. Ng, Calista Bi Qing. School of Humanities and Social Sciences Yong Wern Mei DRNTU::Humanities::Literature Discussions of Red Riding Hood have focused predominantly on its genre as children's literature, the symbol of the red cloak as sexual awakening amongst others. This paper seeks to shed new light on Red Riding Hood by looking at her as a female instead of a child, and exploring the idea of disobedience and desire within the tale, from its early narratives to modern film adaptations. Film was chosen as a medium due to its visual nature, to discuss the notion of the gaze, as well as provide a more accurate depiction of female empowerment today. This paper seeks to explore the idea of disobedience through its constituent elements: knowledge, desire, the male cinematic gaze and the home as a patriarchal construct, and how disobedience is necessary in order for Red to achieve empowerment in a patriarchal society. Bachelor of Arts 2013-04-25T04:37:29Z 2013-04-25T04:37:29Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52214 en Nanyang Technological University 39 p. application/pdf
spellingShingle DRNTU::Humanities::Literature
Ng, Calista Bi Qing.
Disobedience and desire as female empowerment ; Red Riding Hood grows up.
title Disobedience and desire as female empowerment ; Red Riding Hood grows up.
title_full Disobedience and desire as female empowerment ; Red Riding Hood grows up.
title_fullStr Disobedience and desire as female empowerment ; Red Riding Hood grows up.
title_full_unstemmed Disobedience and desire as female empowerment ; Red Riding Hood grows up.
title_short Disobedience and desire as female empowerment ; Red Riding Hood grows up.
title_sort disobedience and desire as female empowerment red riding hood grows up
topic DRNTU::Humanities::Literature
url http://hdl.handle.net/10356/52214
work_keys_str_mv AT ngcalistabiqing disobedienceanddesireasfemaleempowermentredridinghoodgrowsup