Recreating Burmese cinema through travelling and tracing via deconstruction
The word "cinema" comes from the Greek word "kinema" which means "motion". The word "theory" too, comes from a Greek word "theoria" which means to "see the sights or to see something for yourself"(Walter 18). In this essay, we will look at...
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| Format: | Final Year Project (FYP) |
| Language: | English |
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2013
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| Online Access: | http://hdl.handle.net/10356/52221 |
| _version_ | 1826116466910429184 |
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| author | Ma Ei Thandar Soe |
| author2 | Brian Keith Bergen-Aurand |
| author_facet | Brian Keith Bergen-Aurand Ma Ei Thandar Soe |
| author_sort | Ma Ei Thandar Soe |
| collection | NTU |
| description | The word "cinema" comes from the Greek word "kinema" which means "motion". The word "theory" too, comes from a Greek word "theoria" which means to "see the sights or to see something for yourself"(Walter 18). In this essay, we will look at the mobility of Burmese cinema. To do so, we must first "theorise" Burmese cinema, look at how this cinema has captured the Burmese social, political, economical, artistic and cinematic movements and then expand out to see if this house of "motion" picture has been able to progress elsewhere outside of Burma. In principle, finding out if Burmese cinema has actually travelled. |
| first_indexed | 2024-10-01T04:11:51Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/52221 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T04:11:51Z |
| publishDate | 2013 |
| record_format | dspace |
| spelling | ntu-10356/522212019-12-10T11:38:30Z Recreating Burmese cinema through travelling and tracing via deconstruction Ma Ei Thandar Soe Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Humanities The word "cinema" comes from the Greek word "kinema" which means "motion". The word "theory" too, comes from a Greek word "theoria" which means to "see the sights or to see something for yourself"(Walter 18). In this essay, we will look at the mobility of Burmese cinema. To do so, we must first "theorise" Burmese cinema, look at how this cinema has captured the Burmese social, political, economical, artistic and cinematic movements and then expand out to see if this house of "motion" picture has been able to progress elsewhere outside of Burma. In principle, finding out if Burmese cinema has actually travelled. Bachelor of Arts 2013-04-25T05:20:40Z 2013-04-25T05:20:40Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52221 en Nanyang Technological University 31 p. application/pdf |
| spellingShingle | DRNTU::Humanities Ma Ei Thandar Soe Recreating Burmese cinema through travelling and tracing via deconstruction |
| title | Recreating Burmese cinema through travelling and tracing via deconstruction |
| title_full | Recreating Burmese cinema through travelling and tracing via deconstruction |
| title_fullStr | Recreating Burmese cinema through travelling and tracing via deconstruction |
| title_full_unstemmed | Recreating Burmese cinema through travelling and tracing via deconstruction |
| title_short | Recreating Burmese cinema through travelling and tracing via deconstruction |
| title_sort | recreating burmese cinema through travelling and tracing via deconstruction |
| topic | DRNTU::Humanities |
| url | http://hdl.handle.net/10356/52221 |
| work_keys_str_mv | AT maeithandarsoe recreatingburmesecinemathroughtravellingandtracingviadeconstruction |