| Summary: | This project is a formalist approach to the study of building architecture. It aims to investigate the
identity of public housing in Singapore through the lens based medium of photography. It is primarily
concerned with the formal qualities of HDB blocks in Singapore and explores the use of photography as a
representative medium. The work deals with the 'point block', a specific archetype of the HDB landscape.
The project is an investigation into the object, representation and formal identity within the analysis of
these HDB point blocks.
As a statutory board under the Ministry of National Development, the Housing Development Board
(HDB) oversees the planning and design of all public houses in Singapore. The HDB is thus not only
responsible for defining the urban landscape but also functions to serve broader governmental interests, in
building cohesive communities. Implicit to the function of public housing is that of social economic
control, that is applied through a range of policies and measures which often affect eligibility of housing
and pricing.
The HDB exists not for the singular purpose of providing a critical commodity in the form of
affordable housing but as part of a system which governs the function of this nation. HDB houses should
therefore be thought of as physical manifestations of ideology that represent an underlying need for
conformity and control. It is a condition best described by architect, Rem Koolhaas, in his reference to
Singapore's building plans as that or an "urban laboratory'.
The argument of the HDB and that of its building plans and polices cannot however be reduced to
that of an experiment. While the implications of such critical ideology might seem dehumanizing to the
observer but the familiarity of the HDB environment has also fostered an idea of a shared history and
common identity within the Singapore community. With over 80% of the Singaporean population living
in HDB houses, it remains a recognizable feature of home that can evoke a sense of community.
It is impossible to detach the physical form of these HDB blocks from its many associations with
the sense of the familiarity and attachment that has become part of the perceptual identity amongst
Singaporeans. These perceptions are subjective concerns which do not necessarily exist within the
architectural forms of these HDB blocks. From a formalist point of view, such an understanding of these
issues and sentiments require external knowledge or experiences that cannot be strictly conveyed through
form alone.
The intention is to follow a formalist approach which defines the object alone as the sole focus,
independent of its subjective qualities. The process of objectification detaches an object from its actual
physical form by disassociating its context. By looking at these forms as objects, we can define its formal
identity which becomes the basis for which the representation within the work aims to explore.
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