从美学视野看现代革命京剧 :“样板戏” 的继承、借鉴与突破 = An aesthetics view on the succession and breakthrough of the revolutionary model opera
现代革命京剧,又称 “样板戏”, 是中国“文革”时期,在革命文坛创作中重要的文艺组成成份。由于 “样板戏” 产生于一个复杂的社会文化背景,因此强烈的体现出了当时文革时代的精神,也包含了当时重要的政治思潮和文化课题。 对于 “样板戏”的评价,人们首先注意到的就是它所承载的政治力量和意识形态功能。经过学界多年的争论,母庸置疑 “样板戏” 是属政治性极强的文化作品, 但是它所承载的艺术价值却不应该被政治的衣裳遮盖,纯粹背负着政治色彩的枷锁而已。 因此,本文将剥开 “样板戏” 的政治意识形态,从美学视野对 “八大革命样板戏” 的艺术价值和表现手法做出研究分析, 并且从多个艺术元素中探讨其作品的继承、借...
Main Author: | 吴坤容 Goh, Kun Rong |
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Other Authors: | School of Humanities and Social Sciences |
Format: | Final Year Project (FYP) |
Language: | Chinese |
Published: |
2013
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Subjects: | |
Online Access: | http://hdl.handle.net/10356/54919 |
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