Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community

Prior to the Korean wave, Japanese pop culture was, and still is, a huge influence globally. However, the Japanese entertainment industry, though it has recently been making efforts to promote the exportation of their pop culture, has been known to be extremely insular and distant. As such, overseas...

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Bibliographic Details
Main Author: Quek, Rebecca
Other Authors: School of Humanities and Social Sciences
Format: Final Year Project (FYP)
Language:English
Published: 2014
Subjects:
Online Access:http://hdl.handle.net/10356/55779
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author Quek, Rebecca
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
Quek, Rebecca
author_sort Quek, Rebecca
collection NTU
description Prior to the Korean wave, Japanese pop culture was, and still is, a huge influence globally. However, the Japanese entertainment industry, though it has recently been making efforts to promote the exportation of their pop culture, has been known to be extremely insular and distant. As such, overseas J-rock fans have since developed their own form of travelling in order to watch their favourite acts live. This study focuses on the J-rock community in Singapore and their motivations for travelling to watch their favourite band, through synthesising literature from tourism studies and subcultural studies under the framework of Symbolic interactionism, within the context of East Asian cultural flows. I argue that this trip is a fan’s quest to seek authenticity on three levels, in terms of Japan as a space, the fan identity, and within the local and global community.
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spelling ntu-10356/557792019-12-10T14:42:39Z Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community Quek, Rebecca School of Humanities and Social Sciences DRNTU::Social sciences::Sociology::Culture Prior to the Korean wave, Japanese pop culture was, and still is, a huge influence globally. However, the Japanese entertainment industry, though it has recently been making efforts to promote the exportation of their pop culture, has been known to be extremely insular and distant. As such, overseas J-rock fans have since developed their own form of travelling in order to watch their favourite acts live. This study focuses on the J-rock community in Singapore and their motivations for travelling to watch their favourite band, through synthesising literature from tourism studies and subcultural studies under the framework of Symbolic interactionism, within the context of East Asian cultural flows. I argue that this trip is a fan’s quest to seek authenticity on three levels, in terms of Japan as a space, the fan identity, and within the local and global community. Bachelor of Arts 2014-03-31T03:41:53Z 2014-03-31T03:41:53Z 2014 2014 Final Year Project (FYP) http://hdl.handle.net/10356/55779 en Nanyang Technological University 29 p. application/pdf
spellingShingle DRNTU::Social sciences::Sociology::Culture
Quek, Rebecca
Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community
title Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community
title_full Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community
title_fullStr Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community
title_full_unstemmed Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community
title_short Singaporean Japanese rock fans and the quest for authenticity : movements in space, self, and community
title_sort singaporean japanese rock fans and the quest for authenticity movements in space self and community
topic DRNTU::Social sciences::Sociology::Culture
url http://hdl.handle.net/10356/55779
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