Actively and passively distorting of memory in Hiroshima Mon Amour
This essay examines the reliability of memory in Marguerite Duras’ Hiroshima Mon Amour. This essay will analyse both processes of remembering and forgetting, ultimately showing that forgetting is a chief obstacle in remembering. We use our sense of sight to passively remember and we use narration to...
Main Author: | Chang, Nicole Wenlin |
---|---|
Other Authors: | School of Humanities and Social Sciences |
Format: | Final Year Project (FYP) |
Language: | English |
Published: |
2014
|
Subjects: | |
Online Access: | http://hdl.handle.net/10356/59144 |
Similar Items
-
Literature and cinema: Night and fog and Hiroshima mon amour
by: María Cecilia Salas Guerra
Published: (2016-07-01) -
Rupture of Body and Mind in Hiroshima Mon Amour:
by: Ali Afridi
Published: (2023-12-01) -
BETWEEN REMEMBERING AND FORGETTING: TIME DISTORTIONS IN PERSONAL AND COLLECTIVE TRAUMA, IN HIROSHIMA MON AMOUR
by: Jessica Aliaga Lavrijsen
Published: (2022-02-01) -
Love and Catastrophe: Filming the Sublime in Hiroshima Mon Amour
by: Reni Celeste
Published: (2005-11-01) -
Memory and Identity in the Emotive Map of Alain Resnais’ Hiroshima Mon Amour (1959)
by: Jytte Holmqvist
Published: (2014-11-01)