Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlight the issue on the silencing of women both in the society and within the text.
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| Other Authors: | |
| Format: | Final Year Project (FYP) |
| Language: | English |
| Published: |
2014
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| Subjects: | |
| Online Access: | http://hdl.handle.net/10356/59303 |
| _version_ | 1826117600032063488 |
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| author | Cheng, Yihui |
| author2 | School of Humanities and Social Sciences |
| author_facet | School of Humanities and Social Sciences Cheng, Yihui |
| author_sort | Cheng, Yihui |
| collection | NTU |
| description | A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlight the issue on the silencing of women both in the society and within the text. |
| first_indexed | 2024-10-01T04:29:57Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/59303 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T04:29:57Z |
| publishDate | 2014 |
| record_format | dspace |
| spelling | ntu-10356/593032019-12-10T14:11:31Z Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists Cheng, Yihui School of Humanities and Social Sciences Yong Wern-Mei DRNTU::Humanities A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlight the issue on the silencing of women both in the society and within the text. Bachelor of Arts 2014-04-29T06:42:02Z 2014-04-29T06:42:02Z 2014 2014 Final Year Project (FYP) http://hdl.handle.net/10356/59303 en Nanyang Technological University 35 p. application/pdf |
| spellingShingle | DRNTU::Humanities Cheng, Yihui Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| title | Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| title_full | Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| title_fullStr | Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| title_full_unstemmed | Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| title_short | Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| title_sort | angela carter s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists |
| topic | DRNTU::Humanities |
| url | http://hdl.handle.net/10356/59303 |
| work_keys_str_mv | AT chengyihui angelacartersuseofappropriationinthebloodychambertoreturnvoicestothesilencedandrepressedfemaleprotagonists |