Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk
This paper is a consideration of the nature of art, and the extent to which one may consider literature, or more specifically, poetic prose-fiction works to be art. Through a survey of the aesthetic theories of Susanne Langer, Etienne Gilson, Dennis Donoghue, Clive Bell and M. H. Abrams, it identifi...
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| Format: | Final Year Project (FYP) |
| Language: | English |
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2015
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| Online Access: | http://hdl.handle.net/10356/65635 |
| _version_ | 1826113717401550848 |
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| author | Tan, Hazel Yan Lin |
| author2 | Cornelius Anthony Murphy |
| author_facet | Cornelius Anthony Murphy Tan, Hazel Yan Lin |
| author_sort | Tan, Hazel Yan Lin |
| collection | NTU |
| description | This paper is a consideration of the nature of art, and the extent to which one may consider literature, or more specifically, poetic prose-fiction works to be art. Through a survey of the aesthetic theories of Susanne Langer, Etienne Gilson, Dennis Donoghue, Clive Bell and M. H. Abrams, it identifies two principles that enable poetic prose-fiction works to be art: (1) a dissociation from reader’s reality and (2) beauty. Upon doing so, it performs an approximation of these principles to Alessandro Baricco’s Ocean Sea and Silk. Three elements are found manifest in Baricco’s work that correspond to these principles of art: axiomatic fictionality, eloquence achieved through poetic uses of language, and formal coherence. All of these elements work together to situate readers in autotelic narrative worlds, wherein they are further guided to apprehend aesthetic emotions of wonder and beauty. In appreciating the beauty inherent in literary works of art, readers are reminded that there is a vital aspect of Being, that goes beyond their utility. |
| first_indexed | 2024-10-01T03:27:47Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/65635 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T03:27:47Z |
| publishDate | 2015 |
| record_format | dspace |
| spelling | ntu-10356/656352019-12-10T14:17:01Z Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk Tan, Hazel Yan Lin Cornelius Anthony Murphy School of Humanities and Social Sciences DRNTU::Humanities::Literature::English This paper is a consideration of the nature of art, and the extent to which one may consider literature, or more specifically, poetic prose-fiction works to be art. Through a survey of the aesthetic theories of Susanne Langer, Etienne Gilson, Dennis Donoghue, Clive Bell and M. H. Abrams, it identifies two principles that enable poetic prose-fiction works to be art: (1) a dissociation from reader’s reality and (2) beauty. Upon doing so, it performs an approximation of these principles to Alessandro Baricco’s Ocean Sea and Silk. Three elements are found manifest in Baricco’s work that correspond to these principles of art: axiomatic fictionality, eloquence achieved through poetic uses of language, and formal coherence. All of these elements work together to situate readers in autotelic narrative worlds, wherein they are further guided to apprehend aesthetic emotions of wonder and beauty. In appreciating the beauty inherent in literary works of art, readers are reminded that there is a vital aspect of Being, that goes beyond their utility. Bachelor of Arts 2015-11-26T04:04:11Z 2015-11-26T04:04:11Z 2015 2015 Final Year Project (FYP) http://hdl.handle.net/10356/65635 en Nanyang Technological University 32 p. application/pdf |
| spellingShingle | DRNTU::Humanities::Literature::English Tan, Hazel Yan Lin Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk |
| title | Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk |
| title_full | Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk |
| title_fullStr | Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk |
| title_full_unstemmed | Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk |
| title_short | Poetic prose-fiction as art : axiomatic fictionality, eloquence, and formal coherence in Alessandro Baricco's ocean sea and silk |
| title_sort | poetic prose fiction as art axiomatic fictionality eloquence and formal coherence in alessandro baricco s ocean sea and silk |
| topic | DRNTU::Humanities::Literature::English |
| url | http://hdl.handle.net/10356/65635 |
| work_keys_str_mv | AT tanhazelyanlin poeticprosefictionasartaxiomaticfictionalityeloquenceandformalcoherenceinalessandrobariccosoceanseaandsilk |