Han a short film : the emotional impact of production design
Seamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative. Production preparations were made to shoot 80% of the film in Sou...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Final Year Project (FYP) |
| Language: | English |
| Published: |
2016
|
| Subjects: | |
| Online Access: | http://hdl.handle.net/10356/66985 |
| _version_ | 1811687979351015424 |
|---|---|
| author | Liew, Julie Heather Shan Ting |
| author2 | Ben Alvin Shedd |
| author_facet | Ben Alvin Shedd Liew, Julie Heather Shan Ting |
| author_sort | Liew, Julie Heather Shan Ting |
| collection | NTU |
| description | Seamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative.
Production preparations were made to shoot 80% of the film in South Korea, and the remaining 20% to be shot in Singapore required the planning and construction of a prison visitation room set. Despite the obvious challenges, there was great thought and detail put into building the world of Han (2016), and I discuss those processes, decisions and experiences in this essay. |
| first_indexed | 2024-10-01T05:24:55Z |
| format | Final Year Project (FYP) |
| id | ntu-10356/66985 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T05:24:55Z |
| publishDate | 2016 |
| record_format | dspace |
| spelling | ntu-10356/669852020-07-16T07:38:36Z Han a short film : the emotional impact of production design Liew, Julie Heather Shan Ting Ben Alvin Shedd School of Art, Design and Media DRNTU::Humanities Seamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative. Production preparations were made to shoot 80% of the film in South Korea, and the remaining 20% to be shot in Singapore required the planning and construction of a prison visitation room set. Despite the obvious challenges, there was great thought and detail put into building the world of Han (2016), and I discuss those processes, decisions and experiences in this essay. Bachelor of Fine Arts 2016-05-09T03:54:01Z 2016-05-09T03:54:01Z 2016 Final Year Project (FYP) http://hdl.handle.net/10356/66985 Videos-DRNTU/adm_fyp_17/Han.mp4 en Nanyang Technological University 21 p. application/pdf text/html |
| spellingShingle | DRNTU::Humanities Liew, Julie Heather Shan Ting Han a short film : the emotional impact of production design |
| title | Han a short film : the emotional impact of production design |
| title_full | Han a short film : the emotional impact of production design |
| title_fullStr | Han a short film : the emotional impact of production design |
| title_full_unstemmed | Han a short film : the emotional impact of production design |
| title_short | Han a short film : the emotional impact of production design |
| title_sort | han a short film the emotional impact of production design |
| topic | DRNTU::Humanities |
| url | http://hdl.handle.net/10356/66985 |
| work_keys_str_mv | AT liewjulieheathershanting hanashortfilmtheemotionalimpactofproductiondesign |