A recipe : stageplaying with your food

Setting out to explore the relationship between food and theatre led me down many paths, most of which brought me to questions of materiality and investigations of phenomenology. Still throughout my research I held on to the concepts of commensality, communion, and consumption at the table. As Thoma...

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Bibliografiset tiedot
Päätekijä: Kaur Pannu, Jasvinder
Muut tekijät: Kevin Andrew Riordan
Aineistotyyppi: Final Year Project (FYP)
Kieli:English
Julkaistu: 2016
Aiheet:
Linkit:http://hdl.handle.net/10356/67268
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author Kaur Pannu, Jasvinder
author2 Kevin Andrew Riordan
author_facet Kevin Andrew Riordan
Kaur Pannu, Jasvinder
author_sort Kaur Pannu, Jasvinder
collection NTU
description Setting out to explore the relationship between food and theatre led me down many paths, most of which brought me to questions of materiality and investigations of phenomenology. Still throughout my research I held on to the concepts of commensality, communion, and consumption at the table. As Thomas C. Foster writes, in How to Read Literature Like a Professor (2009), in literature the act of eating together often says: “I want to be with you, you want to be with me, let us share the experience” (Foster 9). With a goal in mind of wanting to produce “a ready-made community” (Chansky, and White 7), I set out to construct a stageplay that explored ways in which such a community could be created in the span of one performance. This sense of community would be temporary, probably dissolving the moment the audience left the performance space. Yet still I hoped for audience members and performers to share an “almost ritualistic experience” (Foster 11), which at the very least would shift the way food and its contemporary relationship to theatre is viewed.
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spelling ntu-10356/672682019-12-10T12:27:41Z A recipe : stageplaying with your food Kaur Pannu, Jasvinder Kevin Andrew Riordan School of Humanities and Social Sciences DRNTU::Humanities::Drama Setting out to explore the relationship between food and theatre led me down many paths, most of which brought me to questions of materiality and investigations of phenomenology. Still throughout my research I held on to the concepts of commensality, communion, and consumption at the table. As Thomas C. Foster writes, in How to Read Literature Like a Professor (2009), in literature the act of eating together often says: “I want to be with you, you want to be with me, let us share the experience” (Foster 9). With a goal in mind of wanting to produce “a ready-made community” (Chansky, and White 7), I set out to construct a stageplay that explored ways in which such a community could be created in the span of one performance. This sense of community would be temporary, probably dissolving the moment the audience left the performance space. Yet still I hoped for audience members and performers to share an “almost ritualistic experience” (Foster 11), which at the very least would shift the way food and its contemporary relationship to theatre is viewed. Bachelor of Arts 2016-05-13T05:27:21Z 2016-05-13T05:27:21Z 2016 Final Year Project (FYP) http://hdl.handle.net/10356/67268 en Nanyang Technological University 47 p. application/pdf
spellingShingle DRNTU::Humanities::Drama
Kaur Pannu, Jasvinder
A recipe : stageplaying with your food
title A recipe : stageplaying with your food
title_full A recipe : stageplaying with your food
title_fullStr A recipe : stageplaying with your food
title_full_unstemmed A recipe : stageplaying with your food
title_short A recipe : stageplaying with your food
title_sort recipe stageplaying with your food
topic DRNTU::Humanities::Drama
url http://hdl.handle.net/10356/67268
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