新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)

Modern Singapore, originating under British colonial rule, struggled its way in an independent country. Great transformations occurred in the first two decades of the fledgling republic, and the different ethnic groups (Chinese, Malay, Indian and others) have merged into a new nation with a common i...

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Main Author: 杜琳 Du, Lin
Other Authors: Chia, Shih Yar
Format: Thesis
Language:Chinese
Published: 2008
Subjects:
Online Access:http://hdl.handle.net/10356/6745
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author 杜琳 Du, Lin
author2 Chia, Shih Yar
author_facet Chia, Shih Yar
杜琳 Du, Lin
author_sort 杜琳 Du, Lin
collection NTU
description Modern Singapore, originating under British colonial rule, struggled its way in an independent country. Great transformations occurred in the first two decades of the fledgling republic, and the different ethnic groups (Chinese, Malay, Indian and others) have merged into a new nation with a common identity. However, as far as the Chinese are concerned, their once overlapped political and cultural orientation towards China has to undergo profound changes. It is generally accepted that the Singapore Chinese vernacular literature owed its existence to the literary revolution of 1917 in China. From that period on, a pragmatic concept has prevailed, that is, the sense of social responsibilities. This appeal considers literature as a vehicle to fulfill the propaganda of ideas and it should keep a plain, easy-to-understand style. This view, together with an expressive one, have exerted great influence on the poems later on.
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spelling ntu-10356/67452020-09-26T21:23:04Z 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) 杜琳 Du, Lin Chia, Shih Yar Centre for Chinese Language and Culture DRNTU::Humanities::Literature::Chinese Modern Singapore, originating under British colonial rule, struggled its way in an independent country. Great transformations occurred in the first two decades of the fledgling republic, and the different ethnic groups (Chinese, Malay, Indian and others) have merged into a new nation with a common identity. However, as far as the Chinese are concerned, their once overlapped political and cultural orientation towards China has to undergo profound changes. It is generally accepted that the Singapore Chinese vernacular literature owed its existence to the literary revolution of 1917 in China. From that period on, a pragmatic concept has prevailed, that is, the sense of social responsibilities. This appeal considers literature as a vehicle to fulfill the propaganda of ideas and it should keep a plain, easy-to-understand style. This view, together with an expressive one, have exerted great influence on the poems later on. Master of Arts 2008-09-17T13:52:00Z 2008-09-17T13:52:00Z 1999 1999 Thesis http://hdl.handle.net/10356/6745 zh Nanyang Technological University 246 p. application/pdf
spellingShingle DRNTU::Humanities::Literature::Chinese
杜琳 Du, Lin
新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
title 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
title_full 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
title_fullStr 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
title_full_unstemmed 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
title_short 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
title_sort 新华诗歌中文化忧患意识研究 the cultural anxiety in singapore chinese poems 1965 1985
topic DRNTU::Humanities::Literature::Chinese
url http://hdl.handle.net/10356/6745
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