UPA : redesigning animation

The animation studio United Productions of America (UPA) was able to challenge Disney supremacy in the 1950s entertainment market by creating cutting-edge animated cartoons. UPA films express a simplified audiovisual language consisting of stylized layout designs, asymmetrical compositions, colors a...

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Bibliographic Details
Main Author: Bottini, Cinzia
Other Authors: Heitor Capuzzo
Format: Thesis
Language:English
Published: Nanyang Technological University 2016
Subjects:
Online Access:https://hdl.handle.net/10356/69065
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author Bottini, Cinzia
author2 Heitor Capuzzo
author_facet Heitor Capuzzo
Bottini, Cinzia
author_sort Bottini, Cinzia
collection NTU
description The animation studio United Productions of America (UPA) was able to challenge Disney supremacy in the 1950s entertainment market by creating cutting-edge animated cartoons. UPA films express a simplified audiovisual language consisting of stylized layout designs, asymmetrical compositions, colors applied flatly and in contrast with each other, limited animation and a minimalist use of sound effects. UPA artists developed this innovative style by assimilating those aesthetic features already expressed by Modern painters, graphic designers and advertisers. This thesis considers UPA films as Modern animations, because they synthesize a common minimalist tendency that was occurring in U.S. animation during the 1940s and 1950s. It examines the conditions under which UPA studio flourished and the figure of its executive producer Stephen Bosustow; the influence of Modernist stylistic features of painting, graphic design and poster advertising on UPA animations; and UPA animated cartoons as case studies of a simplified audiovisual language that influenced 1950s-1960s international productions.
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spelling ntu-10356/690652020-06-16T05:32:03Z UPA : redesigning animation Bottini, Cinzia Heitor Capuzzo School of Art, Design and Media No email address DRNTU::Visual arts and music The animation studio United Productions of America (UPA) was able to challenge Disney supremacy in the 1950s entertainment market by creating cutting-edge animated cartoons. UPA films express a simplified audiovisual language consisting of stylized layout designs, asymmetrical compositions, colors applied flatly and in contrast with each other, limited animation and a minimalist use of sound effects. UPA artists developed this innovative style by assimilating those aesthetic features already expressed by Modern painters, graphic designers and advertisers. This thesis considers UPA films as Modern animations, because they synthesize a common minimalist tendency that was occurring in U.S. animation during the 1940s and 1950s. It examines the conditions under which UPA studio flourished and the figure of its executive producer Stephen Bosustow; the influence of Modernist stylistic features of painting, graphic design and poster advertising on UPA animations; and UPA animated cartoons as case studies of a simplified audiovisual language that influenced 1950s-1960s international productions. Doctor of Philosophy (ADM) 2016-10-10T01:45:20Z 2016-10-10T01:45:20Z 2016 Thesis Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 10.32657/10356/69065 en 425 p. application/pdf Nanyang Technological University
spellingShingle DRNTU::Visual arts and music
Bottini, Cinzia
UPA : redesigning animation
title UPA : redesigning animation
title_full UPA : redesigning animation
title_fullStr UPA : redesigning animation
title_full_unstemmed UPA : redesigning animation
title_short UPA : redesigning animation
title_sort upa redesigning animation
topic DRNTU::Visual arts and music
url https://hdl.handle.net/10356/69065
work_keys_str_mv AT bottinicinzia uparedesigninganimation