Euthanasia among quadriplegics: a containment of autonomy in disability cinema

In the 2016 film Me Before You, the quadriplegic character advises his able-bodied love interest to “[l]ive boldly […] Just live well. Just live” (Me Before You). Conversely, he chooses to prematurely end his life via euthanasia. Why then is the disabled body made to seem less worthy of living as co...

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Bibliographic Details
Main Author: Cheang, Wai Yee
Other Authors: Graham Matthews
Format: Final Year Project (FYP)
Language:English
Published: 2017
Subjects:
Online Access:http://hdl.handle.net/10356/72212
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author Cheang, Wai Yee
author2 Graham Matthews
author_facet Graham Matthews
Cheang, Wai Yee
author_sort Cheang, Wai Yee
collection NTU
description In the 2016 film Me Before You, the quadriplegic character advises his able-bodied love interest to “[l]ive boldly […] Just live well. Just live” (Me Before You). Conversely, he chooses to prematurely end his life via euthanasia. Why then is the disabled body made to seem less worthy of living as compared to the able-bodied individual? Me Before You is the latest incarnation in a train of disability films whereby a quadriplegic character opts for euthanasia, and subsequently prevails in his or her decision. In an attempt to gain an understanding of this phenomenon in films about disabilities, I observe in three films that follow this narrative trajectory – Whose Life is it, Anyway? (1981), Million Dollar Baby (2004), and Me Before You – an underlying objective for euthanasia: the reclamation of autonomy for the disabled individual. Mmy essay attempts to put forth that the notion that euthanasia as an assertion of true autonomy is in fact used as a veil in order to perpetuate predominant assumptions that a disabled life has no place within mainstream cultural ideology.
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spelling ntu-10356/722122019-12-10T14:06:37Z Euthanasia among quadriplegics: a containment of autonomy in disability cinema Cheang, Wai Yee Graham Matthews School of Humanities and Social Sciences DRNTU::Humanities In the 2016 film Me Before You, the quadriplegic character advises his able-bodied love interest to “[l]ive boldly […] Just live well. Just live” (Me Before You). Conversely, he chooses to prematurely end his life via euthanasia. Why then is the disabled body made to seem less worthy of living as compared to the able-bodied individual? Me Before You is the latest incarnation in a train of disability films whereby a quadriplegic character opts for euthanasia, and subsequently prevails in his or her decision. In an attempt to gain an understanding of this phenomenon in films about disabilities, I observe in three films that follow this narrative trajectory – Whose Life is it, Anyway? (1981), Million Dollar Baby (2004), and Me Before You – an underlying objective for euthanasia: the reclamation of autonomy for the disabled individual. Mmy essay attempts to put forth that the notion that euthanasia as an assertion of true autonomy is in fact used as a veil in order to perpetuate predominant assumptions that a disabled life has no place within mainstream cultural ideology. Bachelor of Arts 2017-05-30T02:47:35Z 2017-05-30T02:47:35Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/72212 en Nanyang Technological University 43 p. application/pdf
spellingShingle DRNTU::Humanities
Cheang, Wai Yee
Euthanasia among quadriplegics: a containment of autonomy in disability cinema
title Euthanasia among quadriplegics: a containment of autonomy in disability cinema
title_full Euthanasia among quadriplegics: a containment of autonomy in disability cinema
title_fullStr Euthanasia among quadriplegics: a containment of autonomy in disability cinema
title_full_unstemmed Euthanasia among quadriplegics: a containment of autonomy in disability cinema
title_short Euthanasia among quadriplegics: a containment of autonomy in disability cinema
title_sort euthanasia among quadriplegics a containment of autonomy in disability cinema
topic DRNTU::Humanities
url http://hdl.handle.net/10356/72212
work_keys_str_mv AT cheangwaiyee euthanasiaamongquadriplegicsacontainmentofautonomyindisabilitycinema