Surtitling in theatrical play : a case study of Chinglish
Theatre as a form of arts is gaining popularity in the world, and there has been wide interest in the field of translation in theatre. Translation in theatre manifests itself in different areas in theatrical arts, such as in the form of surtitles, or the dialogues or lyrics. Traditionally, researc...
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
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2019
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| Online Access: | http://hdl.handle.net/10356/78881 |
| _version_ | 1826116032112099328 |
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| author | Huang, Hui Wen |
| author2 | Arista Kuo |
| author_facet | Arista Kuo Huang, Hui Wen |
| author_sort | Huang, Hui Wen |
| collection | NTU |
| description | Theatre as a form of arts is gaining popularity in the world, and there has been wide interest in
the field of translation in theatre. Translation in theatre manifests itself in different areas in
theatrical arts, such as in the form of surtitles, or the dialogues or lyrics. Traditionally, research
in surtitling largely revolved around the surtitling of opera, and less focus has been placed on
surtitling of plays. This author of this research paper therefore aims to examine suitable
strategies to be used in the translation and creation of surtitles for theatrical plays, through a
case study of Chinglish by David Henry Hwang. The author also addresses technical issues of
surtitling such as length and positioning of surtitles. The project adopts a qualitative research
method, which includes a case selection and textual analysis of the case, before proceeding to
translate the source text into surtitles. According to Reiss’s text type and communicative
functions, the source text is largely expressive, and the translated outcome should achieve the
same function. After the translation, the translated surtitles are subjected to the author’s
analysis with regards to the translation techniques used and its suitability in each context.
Analysis of the translation suggests that when translating Chinglish into surtitles, phrases or
utterances that consists of Chinese characteristics can be translated literally into Chinese and
meaning would not be lost. For western culture-specific phrases, when translating into Chinese,
free translation should be applied to accurately convey the intended meaning to the audience.
Despite an in-depth discussion of the translation strategies used in project, potential limitations,
such as a lack of generalizability and the tendency for subjective decision making, still exist. |
| first_indexed | 2024-10-01T04:04:28Z |
| format | Thesis |
| id | ntu-10356/78881 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T04:04:28Z |
| publishDate | 2019 |
| record_format | dspace |
| spelling | ntu-10356/788812019-12-10T11:43:43Z Surtitling in theatrical play : a case study of Chinglish Huang, Hui Wen Arista Kuo School of Humanities Humanities::Language Theatre as a form of arts is gaining popularity in the world, and there has been wide interest in the field of translation in theatre. Translation in theatre manifests itself in different areas in theatrical arts, such as in the form of surtitles, or the dialogues or lyrics. Traditionally, research in surtitling largely revolved around the surtitling of opera, and less focus has been placed on surtitling of plays. This author of this research paper therefore aims to examine suitable strategies to be used in the translation and creation of surtitles for theatrical plays, through a case study of Chinglish by David Henry Hwang. The author also addresses technical issues of surtitling such as length and positioning of surtitles. The project adopts a qualitative research method, which includes a case selection and textual analysis of the case, before proceeding to translate the source text into surtitles. According to Reiss’s text type and communicative functions, the source text is largely expressive, and the translated outcome should achieve the same function. After the translation, the translated surtitles are subjected to the author’s analysis with regards to the translation techniques used and its suitability in each context. Analysis of the translation suggests that when translating Chinglish into surtitles, phrases or utterances that consists of Chinese characteristics can be translated literally into Chinese and meaning would not be lost. For western culture-specific phrases, when translating into Chinese, free translation should be applied to accurately convey the intended meaning to the audience. Despite an in-depth discussion of the translation strategies used in project, potential limitations, such as a lack of generalizability and the tendency for subjective decision making, still exist. Master of Arts (Translation and Interpretation) 2019-09-19T05:16:24Z 2019-09-19T05:16:24Z 2019 Thesis http://hdl.handle.net/10356/78881 en 64 p. application/pdf |
| spellingShingle | Humanities::Language Huang, Hui Wen Surtitling in theatrical play : a case study of Chinglish |
| title | Surtitling in theatrical play : a case study of Chinglish |
| title_full | Surtitling in theatrical play : a case study of Chinglish |
| title_fullStr | Surtitling in theatrical play : a case study of Chinglish |
| title_full_unstemmed | Surtitling in theatrical play : a case study of Chinglish |
| title_short | Surtitling in theatrical play : a case study of Chinglish |
| title_sort | surtitling in theatrical play a case study of chinglish |
| topic | Humanities::Language |
| url | http://hdl.handle.net/10356/78881 |
| work_keys_str_mv | AT huanghuiwen surtitlingintheatricalplayacasestudyofchinglish |