'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore

The soft-authoritarian and severe image of contemporary Singapore has often been associated with the imposing and paternalistic presence of Lee Kuan Yew who has overseen the city-state as prime minister and subsequently, senior statesman since 1959. Unlike the statues and street-names dedicated to o...

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Main Author: Khiun, Liew Kai
Other Authors: Wee Kim Wee School of Communication and Information
Format: Journal Article
Language:English
Published: 2015
Subjects:
Online Access:https://hdl.handle.net/10356/80840
http://hdl.handle.net/10220/38873
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author Khiun, Liew Kai
author2 Wee Kim Wee School of Communication and Information
author_facet Wee Kim Wee School of Communication and Information
Khiun, Liew Kai
author_sort Khiun, Liew Kai
collection NTU
description The soft-authoritarian and severe image of contemporary Singapore has often been associated with the imposing and paternalistic presence of Lee Kuan Yew who has overseen the city-state as prime minister and subsequently, senior statesman since 1959. Unlike the statues and street-names dedicated to other founding leaders in newly decolonized countries, Lee has consciously discouraged any public portraitures of himself in Singapore. However, as his presence fades with ailing health in the recent years, his images are beginning to surface in figurines, coffee table books and even street art. Over in the social and alternative media, there is an increasingly more irreverent use of the Hokkien/Minan term ‘limpeh’ or ‘your father’ as parodies of Lee’s unyielding paternalism. As a masculinistic self-assertion of one’s authority, ‘limpeh’ is often crudely associated with the Hokkien/Minan-speaking ethnic Singaporean Chinese working class. Singaporeans have also recognized the characteristics of ‘limpeh’ with the authoritarian legacy of Lee who had displayed little mercy in crushing his political rivals and pushing his social vision to society. In this respect, these popular communications can be seen as the cacophony of emerging voices of the city-state in a late authoritarian phase.
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spelling ntu-10356/808402020-03-07T12:15:49Z 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore Khiun, Liew Kai Wee Kim Wee School of Communication and Information DRNTU::Social sciences::Communication::Cultural studies The soft-authoritarian and severe image of contemporary Singapore has often been associated with the imposing and paternalistic presence of Lee Kuan Yew who has overseen the city-state as prime minister and subsequently, senior statesman since 1959. Unlike the statues and street-names dedicated to other founding leaders in newly decolonized countries, Lee has consciously discouraged any public portraitures of himself in Singapore. However, as his presence fades with ailing health in the recent years, his images are beginning to surface in figurines, coffee table books and even street art. Over in the social and alternative media, there is an increasingly more irreverent use of the Hokkien/Minan term ‘limpeh’ or ‘your father’ as parodies of Lee’s unyielding paternalism. As a masculinistic self-assertion of one’s authority, ‘limpeh’ is often crudely associated with the Hokkien/Minan-speaking ethnic Singaporean Chinese working class. Singaporeans have also recognized the characteristics of ‘limpeh’ with the authoritarian legacy of Lee who had displayed little mercy in crushing his political rivals and pushing his social vision to society. In this respect, these popular communications can be seen as the cacophony of emerging voices of the city-state in a late authoritarian phase. Accepted version 2015-12-01T03:28:02Z 2019-12-06T14:00:05Z 2015-12-01T03:28:02Z 2019-12-06T14:00:05Z 2015 Journal Article Khiun, L. K. (2015). 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore. Journal of Creative Communications, 10(1), 21-38. https://hdl.handle.net/10356/80840 http://hdl.handle.net/10220/38873 10.1177/0973258615569949 en Journal of Creative Communications © 2015 Mudra Institute of Communications. This is the author created version of a work that has been peer reviewed and accepted for publication by Journal of Creative Communications, Mudra Institute of Communications. It incorporates referee’s comments but changes resulting from the publishing process, such as copyediting, structural formatting, may not be reflected in this document. The published version is available at: [http://dx.doi.org/10.1177/0973258615569949]. 33 pages application/pdf
spellingShingle DRNTU::Social sciences::Communication::Cultural studies
Khiun, Liew Kai
'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
title 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
title_full 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
title_fullStr 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
title_full_unstemmed 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
title_short 'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
title_sort i am limpeh your father parodying hegemony anti nostalgic cultural insurgency and the visual amplification of lee kuan yew in late authoritarian singapore
topic DRNTU::Social sciences::Communication::Cultural studies
url https://hdl.handle.net/10356/80840
http://hdl.handle.net/10220/38873
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