The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours
Since the use of video became popular in the last five decades, the quality of the recorded images improved constantly, while broadcasting techniques thus advanced concurrently. From Omnimax to mobile screens, if panoramic, vertical or spherical, the author of the work is challenged to either fight...
| Main Authors: | , , |
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| Other Authors: | |
| Format: | Conference Paper |
| Language: | English |
| Published: |
2019
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| Online Access: | https://hdl.handle.net/10356/87521 http://hdl.handle.net/10220/49819 |
| _version_ | 1826109925397364736 |
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| author | Reinhuber, Elke Williams, Ross Seide, Benjamin |
| author2 | School of Art, Design and Media |
| author_facet | School of Art, Design and Media Reinhuber, Elke Williams, Ross Seide, Benjamin |
| author_sort | Reinhuber, Elke |
| collection | NTU |
| description | Since the use of video became popular in the last five decades, the quality of the recorded images improved constantly, while broadcasting techniques thus advanced concurrently. From Omnimax to mobile screens, if panoramic, vertical or spherical, the author of the work is challenged to either fight for the intended format or adjust the work accordingly to presentation possibilities. Our recent Secret Detours may serve as an example, which was conceived as an immersive 360° video. Currently, we have developed a range of different versions in order to explore screening possibilities and adjusted not only the visual composition but as well the sound-design appropriately. We argue that the experience hugely varies, whether the work can be collectively viewed in a hemispherical dome, a cylindrical panorama, a panoramic LED video wall or by using VR glasses. |
| first_indexed | 2024-10-01T02:26:22Z |
| format | Conference Paper |
| id | ntu-10356/87521 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T02:26:22Z |
| publishDate | 2019 |
| record_format | dspace |
| spelling | ntu-10356/875212021-02-03T01:16:40Z The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours Reinhuber, Elke Williams, Ross Seide, Benjamin School of Art, Design and Media Proceedings of Electronic Visualisation and the Arts (EVA) London 2018 Surround Sound Hemispherical Dome Visual arts and music::Media Since the use of video became popular in the last five decades, the quality of the recorded images improved constantly, while broadcasting techniques thus advanced concurrently. From Omnimax to mobile screens, if panoramic, vertical or spherical, the author of the work is challenged to either fight for the intended format or adjust the work accordingly to presentation possibilities. Our recent Secret Detours may serve as an example, which was conceived as an immersive 360° video. Currently, we have developed a range of different versions in order to explore screening possibilities and adjusted not only the visual composition but as well the sound-design appropriately. We argue that the experience hugely varies, whether the work can be collectively viewed in a hemispherical dome, a cylindrical panorama, a panoramic LED video wall or by using VR glasses. MOE (Min. of Education, S’pore) Published version 2019-08-29T06:39:21Z 2019-12-06T16:43:39Z 2019-08-29T06:39:21Z 2019-12-06T16:43:39Z 2018-07-01 2018 Conference Paper Reinhuber, E., Williams, R., & Seide, B. (2018). The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours. Proceedings of Electronic Visualisation and the Arts (EVA) London 2018. doi:10.14236/ewic/EVA2018.45 https://hdl.handle.net/10356/87521 http://hdl.handle.net/10220/49819 10.14236/ewic/EVA2018.45 204240 en © 2018 Reinhuber et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2018, UK. This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ 8 p. application/pdf |
| spellingShingle | Surround Sound Hemispherical Dome Visual arts and music::Media Reinhuber, Elke Williams, Ross Seide, Benjamin The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours |
| title | The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours |
| title_full | The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours |
| title_fullStr | The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours |
| title_full_unstemmed | The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours |
| title_short | The Scale of Immersion: different audio-visual experiences exemplified by the 360° video Secret Detours |
| title_sort | scale of immersion different audio visual experiences exemplified by the 360° video secret detours |
| topic | Surround Sound Hemispherical Dome Visual arts and music::Media |
| url | https://hdl.handle.net/10356/87521 http://hdl.handle.net/10220/49819 |
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