NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA
This research aims to discuss about the elements of puppetry aesthetics, the forming process of nuksma and mungguh concept, the realisation of nuksma and mungguh in wayang performance, and nuksma and mungguh as an aesthetic orientation of wayang purwa performance of Surakarta style. Nuksma and mungg...
| Main Authors: | , |
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| Format: | Thesis |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2012
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| Subjects: |
| _version_ | 1797032733092872192 |
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| author | , SUNARDI ,SSN,MSN , Prof. Dr. Timbul Haryono, M.Sc., |
| author_facet | , SUNARDI ,SSN,MSN , Prof. Dr. Timbul Haryono, M.Sc., |
| author_sort | , SUNARDI ,SSN,MSN |
| collection | UGM |
| description | This research aims to discuss about the elements of puppetry
aesthetics, the forming process of nuksma and mungguh concept, the
realisation of nuksma and mungguh in wayang performance, and
nuksma and mungguh as an aesthetic orientation of wayang purwa
performance of Surakarta style.
Nuksma and mungguh in wayang performance are analyzed
based on the aesthetic paradigm by using the concept and theory of
Javanese and Indian aesthetics as an analyzing basic. The research
strategy uses the approach of multi-diciplinary by borrowing the theory
of rasa, the concept of garap, the theory of hermeneutics, and the
concept of Javanese culture.
The result of research describes that nuksma and mungguh
have important roles in the aesthetics of wayang performance. Nuksma
and mungguh are meant to be the accuracy and suitability in inspiring
wayang performance. The elements which form the concept of nuksma
and mungguh include: medium, expression, accuracy and suitability,
and the dalang�s spiritual power. Nuksma and mungguh in the
dalang�s soul can be reached by technical skill, garap, and expression.
The realisation of nuksma and mungguh in wayang performance can
be described through the accuracy and suitability of garap catur
expression (the language of puppetry), sabet (wayang movements), and
karawitan pakeliran that can produce the impression of rasa regu,
greget, prenès, and sedhih. Nuksma and mungguh become the basic
of wayang performance inspiration and a clue for the dalang�s quality.
They become the reference of wayang performance appreciation and
give stimulant to the audience�s catharsis, besides, they are related to
the concept of nyawiji and kemungguhan in Javanese cultural view.
The conclusion of research shows that nuksma and mungguh
become aesthetic orientation in wayang purwa performance of
Surakarta style. |
| first_indexed | 2024-03-13T22:43:00Z |
| format | Thesis |
| id | oai:generic.eprints.org:100554 |
| institution | Universiti Gadjah Mada |
| last_indexed | 2024-03-13T22:43:00Z |
| publishDate | 2012 |
| publisher | [Yogyakarta] : Universitas Gadjah Mada |
| record_format | dspace |
| spelling | oai:generic.eprints.org:1005542016-03-04T08:48:48Z https://repository.ugm.ac.id/100554/ NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA , SUNARDI ,SSN,MSN , Prof. Dr. Timbul Haryono, M.Sc., ETD This research aims to discuss about the elements of puppetry aesthetics, the forming process of nuksma and mungguh concept, the realisation of nuksma and mungguh in wayang performance, and nuksma and mungguh as an aesthetic orientation of wayang purwa performance of Surakarta style. Nuksma and mungguh in wayang performance are analyzed based on the aesthetic paradigm by using the concept and theory of Javanese and Indian aesthetics as an analyzing basic. The research strategy uses the approach of multi-diciplinary by borrowing the theory of rasa, the concept of garap, the theory of hermeneutics, and the concept of Javanese culture. The result of research describes that nuksma and mungguh have important roles in the aesthetics of wayang performance. Nuksma and mungguh are meant to be the accuracy and suitability in inspiring wayang performance. The elements which form the concept of nuksma and mungguh include: medium, expression, accuracy and suitability, and the dalang�s spiritual power. Nuksma and mungguh in the dalang�s soul can be reached by technical skill, garap, and expression. The realisation of nuksma and mungguh in wayang performance can be described through the accuracy and suitability of garap catur expression (the language of puppetry), sabet (wayang movements), and karawitan pakeliran that can produce the impression of rasa regu, greget, prenès, and sedhih. Nuksma and mungguh become the basic of wayang performance inspiration and a clue for the dalang�s quality. They become the reference of wayang performance appreciation and give stimulant to the audience�s catharsis, besides, they are related to the concept of nyawiji and kemungguhan in Javanese cultural view. The conclusion of research shows that nuksma and mungguh become aesthetic orientation in wayang purwa performance of Surakarta style. [Yogyakarta] : Universitas Gadjah Mada 2012 Thesis NonPeerReviewed , SUNARDI ,SSN,MSN and , Prof. Dr. Timbul Haryono, M.Sc., (2012) NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=56749 |
| spellingShingle | ETD , SUNARDI ,SSN,MSN , Prof. Dr. Timbul Haryono, M.Sc., NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA |
| title | NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA |
| title_full | NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA |
| title_fullStr | NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA |
| title_full_unstemmed | NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA |
| title_short | NUKSMA DAN MUNGGUH: ESTETIKA PERTUNJUKAN WAYANG PURWA GAYA SURAKARTA |
| title_sort | nuksma dan mungguh estetika pertunjukan wayang purwa gaya surakarta |
| topic | ETD |
| work_keys_str_mv | AT sunardissnmsn nuksmadanmungguhestetikapertunjukanwayangpurwagayasurakarta AT profdrtimbulharyonomsc nuksmadanmungguhestetikapertunjukanwayangpurwagayasurakarta |