SENGGAKAN SEBAGAI PERMAINAN VOKAL DALAM LENGGER BANYUMASAN DI JAWA TENGAH
Senggakan is one component of gendhing Banyumasan. Lengger Banyumasan show uses gendhing Banyumasan as its accompaniment. Senggakan is often considered as complement of lengger shows, however for lengger, sindhen and penayagan, senggakan is considered as the soul of a show. Senggakan is the builder...
| Main Authors: | , |
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| Format: | Thesis |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2013
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| Subjects: |
| _version_ | 1797032892454404096 |
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| author | , DYAH MURWANINGRUM , Dr. GR. Lono L Simatupang |
| author_facet | , DYAH MURWANINGRUM , Dr. GR. Lono L Simatupang |
| author_sort | , DYAH MURWANINGRUM |
| collection | UGM |
| description | Senggakan is one component of gendhing Banyumasan.
Lengger Banyumasan show uses gendhing Banyumasan as its
accompaniment. Senggakan is often considered as complement of
lengger shows, however for lengger, sindhen and penayagan,
senggakan is considered as the soul of a show. Senggakan is the
builder of lively atmosphere which becomes climax of a show.
Research of senggakan is rarely. That is the reason for the
researcher conducted the study.
Senggakan is analogous as play. Senggakan Banyumasan is
a play on tones and words with or without meanings which played
in a frame of a gendhing. As a play, senggakan is free and
voluntary but remain within certain limits, where such limits will
determinesenggakan pattern. The limits are classified into musical
factor (textual) and nonmusical factor (contextual) limits. One of
the musical factors is the ongoing gendhing, while non musical
factors are the artist, cultural background and performance
context.
Senggakan is universal and has diverse musical pattern,
including the rhythm that are energetic, dynamic, spirit
encourages, respond to the gendhing. Word play in senggakan may
take form of syllables or satire with political, agricultural,
economical, and even sexual themes. Banyumas people have their
own aesthetics taste in appraising senggakan Banyumasan. They
assume that more senggakan in the gendhing and more frequent,
will be more uplifting so that the lengger show will be succeed. |
| first_indexed | 2024-03-13T22:45:35Z |
| format | Thesis |
| id | oai:generic.eprints.org:118155 |
| institution | Universiti Gadjah Mada |
| last_indexed | 2024-03-13T22:45:35Z |
| publishDate | 2013 |
| publisher | [Yogyakarta] : Universitas Gadjah Mada |
| record_format | dspace |
| spelling | oai:generic.eprints.org:1181552016-03-04T08:31:32Z https://repository.ugm.ac.id/118155/ SENGGAKAN SEBAGAI PERMAINAN VOKAL DALAM LENGGER BANYUMASAN DI JAWA TENGAH , DYAH MURWANINGRUM , Dr. GR. Lono L Simatupang ETD Senggakan is one component of gendhing Banyumasan. Lengger Banyumasan show uses gendhing Banyumasan as its accompaniment. Senggakan is often considered as complement of lengger shows, however for lengger, sindhen and penayagan, senggakan is considered as the soul of a show. Senggakan is the builder of lively atmosphere which becomes climax of a show. Research of senggakan is rarely. That is the reason for the researcher conducted the study. Senggakan is analogous as play. Senggakan Banyumasan is a play on tones and words with or without meanings which played in a frame of a gendhing. As a play, senggakan is free and voluntary but remain within certain limits, where such limits will determinesenggakan pattern. The limits are classified into musical factor (textual) and nonmusical factor (contextual) limits. One of the musical factors is the ongoing gendhing, while non musical factors are the artist, cultural background and performance context. Senggakan is universal and has diverse musical pattern, including the rhythm that are energetic, dynamic, spirit encourages, respond to the gendhing. Word play in senggakan may take form of syllables or satire with political, agricultural, economical, and even sexual themes. Banyumas people have their own aesthetics taste in appraising senggakan Banyumasan. They assume that more senggakan in the gendhing and more frequent, will be more uplifting so that the lengger show will be succeed. [Yogyakarta] : Universitas Gadjah Mada 2013 Thesis NonPeerReviewed , DYAH MURWANINGRUM and , Dr. GR. Lono L Simatupang (2013) SENGGAKAN SEBAGAI PERMAINAN VOKAL DALAM LENGGER BANYUMASAN DI JAWA TENGAH. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=57695 |
| spellingShingle | ETD , DYAH MURWANINGRUM , Dr. GR. Lono L Simatupang SENGGAKAN SEBAGAI PERMAINAN VOKAL DALAM LENGGER BANYUMASAN DI JAWA TENGAH |
| title | SENGGAKAN SEBAGAI PERMAINAN VOKAL
DALAM LENGGER BANYUMASAN DI JAWA
TENGAH |
| title_full | SENGGAKAN SEBAGAI PERMAINAN VOKAL
DALAM LENGGER BANYUMASAN DI JAWA
TENGAH |
| title_fullStr | SENGGAKAN SEBAGAI PERMAINAN VOKAL
DALAM LENGGER BANYUMASAN DI JAWA
TENGAH |
| title_full_unstemmed | SENGGAKAN SEBAGAI PERMAINAN VOKAL
DALAM LENGGER BANYUMASAN DI JAWA
TENGAH |
| title_short | SENGGAKAN SEBAGAI PERMAINAN VOKAL
DALAM LENGGER BANYUMASAN DI JAWA
TENGAH |
| title_sort | senggakan sebagai permainan vokal dalam lengger banyumasan di jawa tengah |
| topic | ETD |
| work_keys_str_mv | AT dyahmurwaningrum senggakansebagaipermainanvokaldalamlenggerbanyumasandijawatengah AT drgrlonolsimatupang senggakansebagaipermainanvokaldalamlenggerbanyumasandijawatengah |