| Summary: | Creativity in the degung is a concrete manifestation of the
development of the concept of Sundanese music artists along with the
changing times. Many ideas come up with its each innovative ideas in
creating new creations degung. It is a musical phenomenon in
Sundanese karawitan, which gave rise to a new phase called degung
kreasi. The novelty has not been set forth in writing. Therefore, this
paper aims to reveal more about the new ideas in the degung kreasi, as
well as how creative ideas that became a phenomenon in various models
of creativity degung is still seen as a part of Sundanese karawitan.
Degung kreasi for a while still to be the final phase of the degung.
Nano, which appears as a change agent in it, has become the gate for the
increasing creativity. Some models of his creativity, each representing a
change that appears on the scale, themes, and instruments. Dedikasi
gave a new color to his diatonic degung. His creative ideas led to various
types of songs (daerah, pop, local, non local) in a slick package with
Sundanese style. Then degung pupujian with its religious nuances. The
concept is to create an atmosphere of prayer in harmony with the rasa,
spirit, and the local culture, not just as an entertainment, but also as a
medium of contemplation. The last model is a gitar-degung is emerging
as a form of concern to the younger generation is getting away from the
Sundanese music tradition. Though degung repertoire is classical, but
the use of conventional Western guitar become a part of the phenomenon
of degung kreasi.
Changes which appear increasingly away from the classic roots of
degung, because of creativiti es that a bit too far. However, after all, these
creative models still have the same initial capital that is the tradition of
Sunda, both instruments, tunings, patterns of cultivation, farmers, up to
the audience, so that people feel comfortable and still receive and view it
as a form of development of the degung.
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