SEJARAH SOSIAL KOMUNITAS SENIMAN DI KEMLAYAN SURAKARTA 1930-an-1970-an

This research reconstructs formation of artists community that lived in Kampung Kemlayan Surakarta and their social life in 1930-1970. There are two points of research�s background, the rarity of the research related to history of community in Surakarta that concerns about culture in kingdom until...

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Bibliographic Details
Main Authors: , HERI PRIYATMOKO, , Prof. Dr. Bambang Purwanto
Format: Thesis
Published: [Yogyakarta] : Universitas Gadjah Mada 2013
Subjects:
ETD
Description
Summary:This research reconstructs formation of artists community that lived in Kampung Kemlayan Surakarta and their social life in 1930-1970. There are two points of research�s background, the rarity of the research related to history of community in Surakarta that concerns about culture in kingdom until republic period and their existence was not written in local history. The main research question is the development karawitan artists community in Kemlayan and the process of becoming priyayi, and their politic strategy when the kingdom collapsed and their survival way through the changing of the period. Answering the main research question critical history method, the use of primary and secondary sources, as like archives, photos, in-depth interview and analysis of related previous study was used. The result of the research shows that the Kemlayan�s artists community was established in Paku Buwana IV (1788-1821) period. Unlike other community that was established based on ethnicity, religion or business orientation, the establishment of this community was based on Javanese traditional arts/culture of karawitan activities. Cultural activities were done consistently in shaping characteristic of the area and it distinguished among other social communities in Surakarta. The Kemlayan�s artists community was part of priyayi in social stucture because it served to Keraton Kasunanan. Various symbol of priyayi was represented by title, house and attire. The life of Kemlayan�s artist-priyayi was dynamic. The Kemlayan�s artist-priyayi with the skill in karawitan got employed by KOKAR, ASKI, PJKT and Surakarta�s RRI. They were survived in the changing of authority and kept their social status in the society. Live in modern day was not erasing nobleness symbols that they bore. Some symbols of Keraton Kasunanan�s legacy are still used as in the kingdom era. The existence of Kemlayan�s artists community are always valued in traditional Javanese culture although time has changed.