KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO
Wayang kulit purwa is a kind of performing arts which has deeply rooted in the life of Javanese society. As a mean of traditional communication media, wayang show has two sides which appeared in community: the spiritual side which deals with morality and ethics, and also the profane one which contai...
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| Format: | Thesis |
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[Yogyakarta] : Universitas Gadjah Mada
2013
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| _version_ | 1826047841120813056 |
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| author | , RUDY WIRATAMA , Drs. Widodo Agus Setianto, M.Si. |
| author_facet | , RUDY WIRATAMA , Drs. Widodo Agus Setianto, M.Si. |
| author_sort | , RUDY WIRATAMA |
| collection | UGM |
| description | Wayang kulit purwa is a kind of performing arts which has deeply rooted in the life of
Javanese society. As a mean of traditional communication media, wayang show has two sides
which appeared in community: the spiritual side which deals with morality and ethics, and
also the profane one which contains more entertainment. Along with the rapid dynamics of
society, the immediately changed values and norms demanded wayang kulit show to adapt
itself with the contemporary condition. One of a solution to reach the conformity between the
two is message commodification. Commodification in wayang performances was done by a
dalang as a main message producer, who has responsibilities in regulating the messages in
wayang�s symbolic universe which has changed into a cultural commodification, and also
maintained his former role as a communicator who transmits the spiritual values in the
performance. The logical consequence of commodifications i.e. the decision of
compromizing, maintaining or changing values which occured inside the puppet
performance, including the performance of Makutharama by Ki Purbo Asmoro, which
audiovisual record used by LONTAR Foundation in 2013 as a material for Wayang
Educational Package. In this research, we will talk about how the dalang as message
producer acts facing the commodification, or even become the part of the commodification
itself, as an effort to keep the performance successful to the audience. |
| first_indexed | 2024-03-13T23:17:25Z |
| format | Thesis |
| id | oai:generic.eprints.org:127519 |
| institution | Universiti Gadjah Mada |
| last_indexed | 2024-03-13T23:17:25Z |
| publishDate | 2013 |
| publisher | [Yogyakarta] : Universitas Gadjah Mada |
| record_format | dspace |
| spelling | oai:generic.eprints.org:1275192016-03-04T08:42:39Z https://repository.ugm.ac.id/127519/ KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO , RUDY WIRATAMA , Drs. Widodo Agus Setianto, M.Si. ETD Wayang kulit purwa is a kind of performing arts which has deeply rooted in the life of Javanese society. As a mean of traditional communication media, wayang show has two sides which appeared in community: the spiritual side which deals with morality and ethics, and also the profane one which contains more entertainment. Along with the rapid dynamics of society, the immediately changed values and norms demanded wayang kulit show to adapt itself with the contemporary condition. One of a solution to reach the conformity between the two is message commodification. Commodification in wayang performances was done by a dalang as a main message producer, who has responsibilities in regulating the messages in wayang�s symbolic universe which has changed into a cultural commodification, and also maintained his former role as a communicator who transmits the spiritual values in the performance. The logical consequence of commodifications i.e. the decision of compromizing, maintaining or changing values which occured inside the puppet performance, including the performance of Makutharama by Ki Purbo Asmoro, which audiovisual record used by LONTAR Foundation in 2013 as a material for Wayang Educational Package. In this research, we will talk about how the dalang as message producer acts facing the commodification, or even become the part of the commodification itself, as an effort to keep the performance successful to the audience. [Yogyakarta] : Universitas Gadjah Mada 2013 Thesis NonPeerReviewed , RUDY WIRATAMA and , Drs. Widodo Agus Setianto, M.Si. (2013) KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=67778 |
| spellingShingle | ETD , RUDY WIRATAMA , Drs. Widodo Agus Setianto, M.Si. KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO |
| title | KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM
LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO |
| title_full | KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM
LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO |
| title_fullStr | KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM
LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO |
| title_full_unstemmed | KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM
LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO |
| title_short | KOMODIFIKASI DALAM ASPEK PRODUKSI PESAN PERGELARAN WAYANG KULIT PURWA GAYA SURAKARTA ANALISIS WACANA KRITIS PAKELIRAN GARAP SEMALAM
LAKON �MAKUTHARAMA� SAJIAN KI PURBO ASMORO |
| title_sort | komodifikasi dalam aspek produksi pesan pergelaran wayang kulit purwa gaya surakarta analisis wacana kritis pakeliran garap semalam lakon a��makutharamaa�� sajian ki purbo asmoro |
| topic | ETD |
| work_keys_str_mv | AT rudywiratama komodifikasidalamaspekproduksipesanpergelaranwayangkulitpurwagayasurakartaanalisiswacanakritispakelirangarapsemalamlakonamakutharamaasajiankipurboasmoro AT drswidodoagussetiantomsi komodifikasidalamaspekproduksipesanpergelaranwayangkulitpurwagayasurakartaanalisiswacanakritispakelirangarapsemalamlakonamakutharamaasajiankipurboasmoro |