| Resumo: | In the process of interaction between a nation which is considered superior to
other nations who are considered inferior led to the dominance of one to another. Each
dominance is always accompanied by resistance. The Egyptians were colonized by
Western nations to take the fight to rekindle the spirit of nationalism that represented
through literary works, one of them through the lyrics of the song popularized by Ummi
Kulṡūm.
This study aims to describe the relationship Ummi Kulṡūm with Egyptian Arab
nationalist movement, outlines the stages and processes of nationalism which made the
Egyptians and Egyptian Arabic postnasionalism express ideas through lyrics of Ummi
Kulṡūm. This is done through a deconstructive analysis of the relationships that develop
within the lyrics of Ummi Kulṡūm. The theroy used in this study is postcolonial theory
and the theory of nationalism within the framework of literary discourse.
The results of the study revealed that Arab nationalism of Egypt experienced three
stages of development with the emergence of nationalist leaders. The first stage is
growth of nationalism with the character Saʻad Zaglūl P�sy�, the second stage is
resistance with the character Jam�l �Abdun-N�sir, and the third stage is transition stage
with the character of the young generation. The nationalism is understood as a concept
has been well established by the lyrics of the song deconstructed and questioned again.
In a literary idea, Ummi Kulṡūm through lyrics mobilize nationalist ideas by choosing
the synthesis between the two expressions used nationalism as a culture colonized
equally ambivalent, namely rhetorical tradition is a tendency to see the past, religions,
and traditions, as well as the rhetoric of development namely the tendency to see into
the future
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