MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)

Jakarta Globe, 30 June 2009, more than half from several students in Jakarta never heard about the black history of Indonesia in 1965-1966. They never know about the massive murdered of Partai Komunis Indonesia (Indonesian Communist Party). In Indonesian history still written that the communists are...

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Main Authors: , SURYO HAPSORO, , Drs. Purwanto, M.Phil
Format: Thesis
Published: [Yogyakarta] : Universitas Gadjah Mada 2014
Subjects:
ETD
_version_ 1826048680461860864
author , SURYO HAPSORO
, Drs. Purwanto, M.Phil
author_facet , SURYO HAPSORO
, Drs. Purwanto, M.Phil
author_sort , SURYO HAPSORO
collection UGM
description Jakarta Globe, 30 June 2009, more than half from several students in Jakarta never heard about the black history of Indonesia in 1965-1966. They never know about the massive murdered of Partai Komunis Indonesia (Indonesian Communist Party). In Indonesian history still written that the communists are the rebel who want to change the state�s ideology, Pancasila. All that we know just communist is the bad, and they have to be destroyed. Young people who hate but doesn�t know much about the another version is the modern victim of history. Mwathirika� is a puppet theater performance from Papermoon Puppet Theater. It record memories through another version, beside the state�s version. It tells about two family who live in peace eventhough they are in different political side. This show is a new way to presentated rememoration discourse. This research will describe the retelling process about the history of 1965 tragedy in a different perspective through puppet theatre History often connected with the state political interests. The fact is, history are used and abused by state to legitimate the authority. History is the winner�s, but each people have their own memories. And some of their memories are distinguish because of their memories are not in the same line of state interests. This forgotten memories are the one that have to striven for. Because each people have the right to have their own memories and free to tell their own story. Papermoon make this puppet performance, as an art, to tell some of the forgotten memories � through their point of view. Puppet performance can be a good way to tell the history of 1965, without considered as a taboo in Indonesia.
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institution Universiti Gadjah Mada
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spelling oai:generic.eprints.org:1317282016-03-04T08:13:42Z https://repository.ugm.ac.id/131728/ MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka) , SURYO HAPSORO , Drs. Purwanto, M.Phil ETD Jakarta Globe, 30 June 2009, more than half from several students in Jakarta never heard about the black history of Indonesia in 1965-1966. They never know about the massive murdered of Partai Komunis Indonesia (Indonesian Communist Party). In Indonesian history still written that the communists are the rebel who want to change the state�s ideology, Pancasila. All that we know just communist is the bad, and they have to be destroyed. Young people who hate but doesn�t know much about the another version is the modern victim of history. Mwathirika� is a puppet theater performance from Papermoon Puppet Theater. It record memories through another version, beside the state�s version. It tells about two family who live in peace eventhough they are in different political side. This show is a new way to presentated rememoration discourse. This research will describe the retelling process about the history of 1965 tragedy in a different perspective through puppet theatre History often connected with the state political interests. The fact is, history are used and abused by state to legitimate the authority. History is the winner�s, but each people have their own memories. And some of their memories are distinguish because of their memories are not in the same line of state interests. This forgotten memories are the one that have to striven for. Because each people have the right to have their own memories and free to tell their own story. Papermoon make this puppet performance, as an art, to tell some of the forgotten memories � through their point of view. Puppet performance can be a good way to tell the history of 1965, without considered as a taboo in Indonesia. [Yogyakarta] : Universitas Gadjah Mada 2014 Thesis NonPeerReviewed , SURYO HAPSORO and , Drs. Purwanto, M.Phil (2014) MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka). UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=72231
spellingShingle ETD
, SURYO HAPSORO
, Drs. Purwanto, M.Phil
MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)
title MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)
title_full MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)
title_fullStr MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)
title_full_unstemmed MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)
title_short MENOLAK LUPA, TERUS BERCERITA (Studi Tentang Proses Penceritaan Kembali Mengenai Sejarah Tragedi 1965 Dalam Versi Berbeda Melalui Pertunjukan Teater Boneka)
title_sort menolak lupa terus bercerita studi tentang proses penceritaan kembali mengenai sejarah tragedi 1965 dalam versi berbeda melalui pertunjukan teater boneka
topic ETD
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