Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi

Lenong Betawi is a part of community theatrical performance that is still able to survive in today globalization era. Lenong Betawi has a great role in making criticism about current social life. The criticisms are expressed through humor that is the a main characteristic of the performance art. In...

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Main Author: Perpustakaan UGM, i-lib
Format: Article
Published: [Yogyakarta] : Universitas Gadjah Mada 2006
Subjects:
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author Perpustakaan UGM, i-lib
author_facet Perpustakaan UGM, i-lib
author_sort Perpustakaan UGM, i-lib
collection UGM
description Lenong Betawi is a part of community theatrical performance that is still able to survive in today globalization era. Lenong Betawi has a great role in making criticism about current social life. The criticisms are expressed through humor that is the a main characteristic of the performance art. In Betawi society, humor is a form of expression of long time under-pressured condition. The story of lenong that describes life in the colonial era has function as medium relating the past and today. The past that placed Betawi society as peripheral society is understood by lenong performers and its supporters that live in peripheral society. Community theatrical performance is part of peripheral culture, so it has interest in expressing criticism as a form of counter culture over excessive ruler domination. Key words: critic, humor, performance art
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spelling oai:generic.eprints.org:188352014-06-18T00:26:16Z https://repository.ugm.ac.id/18835/ Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi Perpustakaan UGM, i-lib Jurnal i-lib UGM Lenong Betawi is a part of community theatrical performance that is still able to survive in today globalization era. Lenong Betawi has a great role in making criticism about current social life. The criticisms are expressed through humor that is the a main characteristic of the performance art. In Betawi society, humor is a form of expression of long time under-pressured condition. The story of lenong that describes life in the colonial era has function as medium relating the past and today. The past that placed Betawi society as peripheral society is understood by lenong performers and its supporters that live in peripheral society. Community theatrical performance is part of peripheral culture, so it has interest in expressing criticism as a form of counter culture over excessive ruler domination. Key words: critic, humor, performance art [Yogyakarta] : Universitas Gadjah Mada 2006 Article NonPeerReviewed Perpustakaan UGM, i-lib (2006) Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi. Jurnal i-lib UGM. http://i-lib.ugm.ac.id/jurnal/download.php?dataId=1644
spellingShingle Jurnal i-lib UGM
Perpustakaan UGM, i-lib
Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi
title Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi
title_full Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi
title_fullStr Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi
title_full_unstemmed Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi
title_short Teater rakyat sebagai media kritik sosial: Fungsi humor dalam seni pertunjukan Lenong Betawi
title_sort teater rakyat sebagai media kritik sosial fungsi humor dalam seni pertunjukan lenong betawi
topic Jurnal i-lib UGM
work_keys_str_mv AT perpustakaanugmilib teaterrakyatsebagaimediakritiksosialfungsihumordalamsenipertunjukanlenongbetawi