KONSEP DIRI REMAJA DALAM FILM INDONESIA: ANALISIS WACANAATAS FILM REMAJA INDONESIA TAHUN 1970-2000-AN

Film is a system of representation, which provides information of social dynamics during the period, when the film is produced and distributed. This study is aimed to identify and reveal how teenage selfconcept is discursively constructed through film imagery and narrative in the context of Indonesi...

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Bibliographic Details
Main Author: Perpustakaan UGM, i-lib
Format: Article
Published: [Yogyakarta] : Universitas Gadjah Mada 2011
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Summary:Film is a system of representation, which provides information of social dynamics during the period, when the film is produced and distributed. This study is aimed to identify and reveal how teenage selfconcept is discursively constructed through film imagery and narrative in the context of Indonesian society. This study focuses particularly on the physical and psychological teenage self-concept. Corpus of analysis are eight teenage films which were produced in the period of 1970s to the 2000s. By applying Norman Fairclough's critical discourse analysis, the close examination of the teenage films reveals that there are similarities, modification and differences in the way in which teenage self-concept has been constructed from decade to decade. This study also identifies that teenage self-concept has been constructed through various discourses, among other things, through discourse of good vs'bad teenager, of role model seeking and of teenage lifestyle. Film merupakan sistem representasi yang bisa menjadi jendela untuk melihat dinamika kehidupan masyarakat pada kurun waktu ketika film dibuat. Kajian dalam tulisan ini merupakan kajian tentang teks film yang bertujuan untuk mengidentifikasi, menganalisis, dan merumuskan bagaimana konsep diri remaja dalam konteks masyarakat Indonesia dikonstruksi dan diwacanakan melalui citra dan narasi film. Korpus kajian adalah delapan film remaja yang diproduksi dalam kurun waktu empat dekade yaitu dari tahun 1970-an hingga 2000-an. Konsep diri remaja yang dianalisis dalam kajian ini meliputi konsep diri fisik dan konsep diri psikologis. Dengan menggunakan model analisis wacana kritis dari Norman Fairclough, kajian mendalam terhadap kedelapan film tersebut menunjukkan adanya persamaan modifikasi dan juga perbedaan konstruksi konsep diri remaja dari dekade ke dekade khususnya melalui wacana