Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner

This paper analyses K. S. Maniam’s children’s novel, Top Winner (2005), in order to show how the narrative illustrates multiculturalism as instrumental in educating readers to respond positively to Malaysia’s cultural dynamism and heritage. It argues that Maniam’s fictional narrative recaptures the...

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Main Authors: Mohd. Azrul, Mohd. Ezamir Azral, Mohd Ramli, Aimillia
Format: Proceeding Paper
Language:English
Published: Faculty of Languages and Communication, Universiti Sultan Zainal Abidin (UNISZA) 2015
Subjects:
Online Access:http://irep.iium.edu.my/49032/1/49032.pdf
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author Mohd. Azrul, Mohd. Ezamir Azral
Mohd Ramli, Aimillia
author_facet Mohd. Azrul, Mohd. Ezamir Azral
Mohd Ramli, Aimillia
author_sort Mohd. Azrul, Mohd. Ezamir Azral
collection IIUM
description This paper analyses K. S. Maniam’s children’s novel, Top Winner (2005), in order to show how the narrative illustrates multiculturalism as instrumental in educating readers to respond positively to Malaysia’s cultural dynamism and heritage. It argues that Maniam’s fictional narrative recaptures the country’s multicultural roots through several themes, namely the kampung or the village, the cultural activity of gasing or the top and adat or tradition. In Maniam’s narrative, the village is seen as the propagator and guardian of communal values that inspire a sense of unity and peace amongst people. This paper also discusses the top, a traditional sport in Malaysia, in relation to the village in order to show how culture, through the art of top spinning and top making, acts like a rite of passage to manhood for the young, as well as the manifestation of the Malay idea of semangat (spirit). Adat, on the other hand, very much revolves around how one behaves, either at the personal level or the societal level. This theme is also considered alongside the role of the elderly in conveying knowledge and wisdom to their youngsters, as well as the co-dependency between adat and the shame culture. The novel also engages with the question of gender, and how it is related to the community. Finally, this paper makes use of the contemporary realism genre in its narration of the tale. This genre choice is a significant consideration as it draws upon realistic elements in its portrayal of Malaysia’s multicultural setting, including how the traditional and the modern fare against one another with regards to the preservation of cultural activities like the top. All these elements, we argue, encourage readers to ponder on the importance of cultural appreciation and preservation.
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spelling oai:generic.eprints.org:490322017-05-03T03:39:51Z http://irep.iium.edu.my/49032/ Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner Mohd. Azrul, Mohd. Ezamir Azral Mohd Ramli, Aimillia PL Languages and literatures of Eastern Asia, Africa, Oceania PZ Childrens literature This paper analyses K. S. Maniam’s children’s novel, Top Winner (2005), in order to show how the narrative illustrates multiculturalism as instrumental in educating readers to respond positively to Malaysia’s cultural dynamism and heritage. It argues that Maniam’s fictional narrative recaptures the country’s multicultural roots through several themes, namely the kampung or the village, the cultural activity of gasing or the top and adat or tradition. In Maniam’s narrative, the village is seen as the propagator and guardian of communal values that inspire a sense of unity and peace amongst people. This paper also discusses the top, a traditional sport in Malaysia, in relation to the village in order to show how culture, through the art of top spinning and top making, acts like a rite of passage to manhood for the young, as well as the manifestation of the Malay idea of semangat (spirit). Adat, on the other hand, very much revolves around how one behaves, either at the personal level or the societal level. This theme is also considered alongside the role of the elderly in conveying knowledge and wisdom to their youngsters, as well as the co-dependency between adat and the shame culture. The novel also engages with the question of gender, and how it is related to the community. Finally, this paper makes use of the contemporary realism genre in its narration of the tale. This genre choice is a significant consideration as it draws upon realistic elements in its portrayal of Malaysia’s multicultural setting, including how the traditional and the modern fare against one another with regards to the preservation of cultural activities like the top. All these elements, we argue, encourage readers to ponder on the importance of cultural appreciation and preservation. Faculty of Languages and Communication, Universiti Sultan Zainal Abidin (UNISZA) 2015 Proceeding Paper PeerReviewed application/pdf en http://irep.iium.edu.my/49032/1/49032.pdf Mohd. Azrul, Mohd. Ezamir Azral and Mohd Ramli, Aimillia (2015) Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner. In: International Conference on Languages (ICL 2015), 10th-11th Oct. 2015, Seri Pacific Hotel, Kuala Lumpur. https://www.unisza.edu.my/icl2015/index.php?option=com_content&view=article&id=45&Itemid=349
spellingShingle PL Languages and literatures of Eastern Asia, Africa, Oceania
PZ Childrens literature
Mohd. Azrul, Mohd. Ezamir Azral
Mohd Ramli, Aimillia
Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner
title Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner
title_full Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner
title_fullStr Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner
title_full_unstemmed Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner
title_short Spinning the cultural tale: multiculturalism in K. S. Maniam's top winner
title_sort spinning the cultural tale multiculturalism in k s maniam s top winner
topic PL Languages and literatures of Eastern Asia, Africa, Oceania
PZ Childrens literature
url http://irep.iium.edu.my/49032/1/49032.pdf
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