MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK

In ludruk, tandak is the male actor who plays female characters. The ludruk actors dressed and behaved like women to replace the original women's presence on stage. At the time of the birth of art ludruk, there are both religious and traditional Javanese norms prohibiting women to appear in pub...

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Main Authors: , Muhammad Dinu Imansyah, , Prof. Dr. C. Soebakdi Soemanto, S.U
Format: Thesis
Published: [Yogyakarta] : Universitas Gadjah Mada 2012
Subjects:
ETD
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author , Muhammad Dinu Imansyah
, Prof. Dr. C. Soebakdi Soemanto, S.U
author_facet , Muhammad Dinu Imansyah
, Prof. Dr. C. Soebakdi Soemanto, S.U
author_sort , Muhammad Dinu Imansyah
collection UGM
description In ludruk, tandak is the male actor who plays female characters. The ludruk actors dressed and behaved like women to replace the original women's presence on stage. At the time of the birth of art ludruk, there are both religious and traditional Javanese norms prohibiting women to appear in public, especially at night. This study aims to analyze the system of signs (semiotics) imposed by the tandak actor in representing female figures in the ludruk show. The Theatrical sign system used is Tadeusz Kowzan system of signs that deal directly with the actors: the sign system of language, tone, gestures, facial expressions, movement, makeup, fashion and hairdressing. From the research conducted, the results obtained the eighth tandak systems utilizing these markers to represent the figures of women, among others: using utterances that show that she (he) is a woman (the sign language system)
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institution Universiti Gadjah Mada
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publisher [Yogyakarta] : Universitas Gadjah Mada
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spelling oai:generic.eprints.org:990062016-03-04T08:47:51Z https://repository.ugm.ac.id/99006/ MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK , Muhammad Dinu Imansyah , Prof. Dr. C. Soebakdi Soemanto, S.U ETD In ludruk, tandak is the male actor who plays female characters. The ludruk actors dressed and behaved like women to replace the original women's presence on stage. At the time of the birth of art ludruk, there are both religious and traditional Javanese norms prohibiting women to appear in public, especially at night. This study aims to analyze the system of signs (semiotics) imposed by the tandak actor in representing female figures in the ludruk show. The Theatrical sign system used is Tadeusz Kowzan system of signs that deal directly with the actors: the sign system of language, tone, gestures, facial expressions, movement, makeup, fashion and hairdressing. From the research conducted, the results obtained the eighth tandak systems utilizing these markers to represent the figures of women, among others: using utterances that show that she (he) is a woman (the sign language system) [Yogyakarta] : Universitas Gadjah Mada 2012 Thesis NonPeerReviewed , Muhammad Dinu Imansyah and , Prof. Dr. C. Soebakdi Soemanto, S.U (2012) MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=55032
spellingShingle ETD
, Muhammad Dinu Imansyah
, Prof. Dr. C. Soebakdi Soemanto, S.U
MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK
title MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK
title_full MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK
title_fullStr MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK
title_full_unstemmed MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK
title_short MAKNA DAN HAMBATAN PEMERANAN TANDAK LUDRUK : ANALISIS SEMIOTIK
title_sort makna dan hambatan pemeranan tandak ludruk analisis semiotik
topic ETD
work_keys_str_mv AT muhammaddinuimansyah maknadanhambatanpemeranantandakludrukanalisissemiotik
AT profdrcsoebakdisoemantosu maknadanhambatanpemeranantandakludrukanalisissemiotik