Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval (Studi tentang Konstruksi Kesenian di Kabupaten Jember)
Based of this study is the diversity of arts in Jember both Traditional and contemporary. Traditional artist is identified by grip in the art plays. This is different from the Jember Fashion Carnaval (JFC) as a contemporer art. Construction of discourse knowledge of JFC by mass media is a famous fas...
| Main Authors: | , |
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| Format: | Thesis |
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[Yogyakarta] : Universitas Gadjah Mada
2012
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| _version_ | 1826045643732287488 |
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| author | , Jati Arifiyanti , Arie Sujito, M.Si. |
| author_facet | , Jati Arifiyanti , Arie Sujito, M.Si. |
| author_sort | , Jati Arifiyanti |
| collection | UGM |
| description | Based of this study is the diversity of arts in Jember both Traditional and
contemporary. Traditional artist is identified by grip in the art plays. This is
different from the Jember Fashion Carnaval (JFC) as a contemporer art.
Construction of discourse knowledge of JFC by mass media is a famous fashion
event in Jember and biggest global and national.
Local art in Jember related with the existence and dimming. One hand,
traditional art condition can be marginalized. One the ather hand, there are
contemporary art fashion parade which is able to make Jember as discourse of
carnival in the world. The role of mass media to promote JFC show and construct
JFC as a Jember identity, but the traditional art isn�t be promoted. Based on these
phenomenon, researcher wants to see how traditional artist s interpret traditional
art, JFC, and the issue of marginalization their art? Then, what strategy are
developed to keep the traditional art of artist? Reseacher will be framing its
analysis to the theory of social construction of Peter L. Berger.
This is a qualititative research approach, using a constructivist perspective,
which emphasizes the social reality as a social construction created by the
individual. Location of this study is in Jember, where the traditional artist create
with the art. Informants are selected by snowball technique. Criteria informants
were traditional artists of Jember that still exist or have dimming.
Data collected by the primary and secondary data, which is done by
observation, interviews, documentation, and literature. Then, an analysis of
qualitative data about the construction of space art and discourse JFC by
traditional artists.
Result of construction of traditional artists to condition of art that art
opportunities still available, but depending on the regeneration and the support of
all parties, especially the attention of goverrnment of Jember regency.
Construction of artists to JFC is acceptance and rejection form. There are not
related on the existence of JFC againts the marginalization of traditional art. The
traditional artists who feel marginalized because of lack of attention of
government of Jember regency were deemed not worth the huge funds budggeted
for the JFC. Artists make art strategy in globalization and modernization
demands. These strategy is an effort of artists that they are not marginalized
because they can also be marginalized itself. |
| first_indexed | 2024-03-13T22:40:16Z |
| format | Thesis |
| id | oai:generic.eprints.org:99803 |
| institution | Universiti Gadjah Mada |
| last_indexed | 2024-03-13T22:40:16Z |
| publishDate | 2012 |
| publisher | [Yogyakarta] : Universitas Gadjah Mada |
| record_format | dspace |
| spelling | oai:generic.eprints.org:998032016-03-04T08:47:16Z https://repository.ugm.ac.id/99803/ Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval (Studi tentang Konstruksi Kesenian di Kabupaten Jember) , Jati Arifiyanti , Arie Sujito, M.Si. ETD Based of this study is the diversity of arts in Jember both Traditional and contemporary. Traditional artist is identified by grip in the art plays. This is different from the Jember Fashion Carnaval (JFC) as a contemporer art. Construction of discourse knowledge of JFC by mass media is a famous fashion event in Jember and biggest global and national. Local art in Jember related with the existence and dimming. One hand, traditional art condition can be marginalized. One the ather hand, there are contemporary art fashion parade which is able to make Jember as discourse of carnival in the world. The role of mass media to promote JFC show and construct JFC as a Jember identity, but the traditional art isn�t be promoted. Based on these phenomenon, researcher wants to see how traditional artist s interpret traditional art, JFC, and the issue of marginalization their art? Then, what strategy are developed to keep the traditional art of artist? Reseacher will be framing its analysis to the theory of social construction of Peter L. Berger. This is a qualititative research approach, using a constructivist perspective, which emphasizes the social reality as a social construction created by the individual. Location of this study is in Jember, where the traditional artist create with the art. Informants are selected by snowball technique. Criteria informants were traditional artists of Jember that still exist or have dimming. Data collected by the primary and secondary data, which is done by observation, interviews, documentation, and literature. Then, an analysis of qualitative data about the construction of space art and discourse JFC by traditional artists. Result of construction of traditional artists to condition of art that art opportunities still available, but depending on the regeneration and the support of all parties, especially the attention of goverrnment of Jember regency. Construction of artists to JFC is acceptance and rejection form. There are not related on the existence of JFC againts the marginalization of traditional art. The traditional artists who feel marginalized because of lack of attention of government of Jember regency were deemed not worth the huge funds budggeted for the JFC. Artists make art strategy in globalization and modernization demands. These strategy is an effort of artists that they are not marginalized because they can also be marginalized itself. [Yogyakarta] : Universitas Gadjah Mada 2012 Thesis NonPeerReviewed , Jati Arifiyanti and , Arie Sujito, M.Si. (2012) Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval (Studi tentang Konstruksi Kesenian di Kabupaten Jember). UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=56145 |
| spellingShingle | ETD , Jati Arifiyanti , Arie Sujito, M.Si. Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval (Studi tentang Konstruksi Kesenian di Kabupaten Jember) |
| title | Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval
(Studi tentang Konstruksi Kesenian di Kabupaten Jember) |
| title_full | Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval
(Studi tentang Konstruksi Kesenian di Kabupaten Jember) |
| title_fullStr | Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval
(Studi tentang Konstruksi Kesenian di Kabupaten Jember) |
| title_full_unstemmed | Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval
(Studi tentang Konstruksi Kesenian di Kabupaten Jember) |
| title_short | Seniman Tradisional di Tengah Popularitas Jember Fashion Carnaval
(Studi tentang Konstruksi Kesenian di Kabupaten Jember) |
| title_sort | seniman tradisional di tengah popularitas jember fashion carnaval studi tentang konstruksi kesenian di kabupaten jember |
| topic | ETD |
| work_keys_str_mv | AT jatiarifiyanti senimantradisionalditengahpopularitasjemberfashioncarnavalstuditentangkonstruksikeseniandikabupatenjember AT ariesujitomsi senimantradisionalditengahpopularitasjemberfashioncarnavalstuditentangkonstruksikeseniandikabupatenjember |