Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail
This article examines the contributions of the classical three-act structure in storytelling that could evoke emotions. The importance of its relationship with character's goal, motivation and audience's emotion is also discussed. A case study is ^employed as a research method in which Fie...
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Format: | Article |
Language: | English |
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UPENA
2006
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Online Access: | https://ir.uitm.edu.my/id/eprint/11604/1/AJ_NORLELA%20ISMAIL%20JSM%2006%201.pdf |
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author | Ismail, Norlela |
author_facet | Ismail, Norlela |
author_sort | Ismail, Norlela |
collection | UITM |
description | This article examines the contributions of the classical three-act structure in storytelling that could evoke emotions. The importance of its relationship with character's goal, motivation and audience's emotion is also discussed. A case study is ^employed as a research method in which Field and McKee's conception of the three-act
paradigm is used to analyse the case. The purpose of this article is to provide a platform (not offering a formula) for a filmmaker or screenwriter to emulate an approach that could help obtain an emotionally engaging story. |
first_indexed | 2024-03-06T01:24:29Z |
format | Article |
id | oai:ir.uitm.edu.my:11604 |
institution | Universiti Teknologi MARA |
language | English |
last_indexed | 2024-03-06T01:24:29Z |
publishDate | 2006 |
publisher | UPENA |
record_format | dspace |
spelling | oai:ir.uitm.edu.my:116042016-06-07T04:21:34Z https://ir.uitm.edu.my/id/eprint/11604/ Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail jurnalskrinmalaysia Ismail, Norlela Motion pictures Storytelling This article examines the contributions of the classical three-act structure in storytelling that could evoke emotions. The importance of its relationship with character's goal, motivation and audience's emotion is also discussed. A case study is ^employed as a research method in which Field and McKee's conception of the three-act paradigm is used to analyse the case. The purpose of this article is to provide a platform (not offering a formula) for a filmmaker or screenwriter to emulate an approach that could help obtain an emotionally engaging story. UPENA 2006 Article PeerReviewed text en https://ir.uitm.edu.my/id/eprint/11604/1/AJ_NORLELA%20ISMAIL%20JSM%2006%201.pdf Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail. (2006) Jurnal Skrin Malaysia <https://ir.uitm.edu.my/view/publication/Jurnal_Skrin_Malaysia/>, 3. pp. 35-54. ISSN 1823-1020 |
spellingShingle | Motion pictures Storytelling Ismail, Norlela Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail |
title | Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail |
title_full | Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail |
title_fullStr | Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail |
title_full_unstemmed | Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail |
title_short | Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail |
title_sort | emotional engagement in feature film storytelling reframing the classical three act structure norlela ismail |
topic | Motion pictures Storytelling |
url | https://ir.uitm.edu.my/id/eprint/11604/1/AJ_NORLELA%20ISMAIL%20JSM%2006%201.pdf |
work_keys_str_mv | AT ismailnorlela emotionalengagementinfeaturefilmstorytellingreframingtheclassicalthreeactstructurenorlelaismail |