Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid

Woodcarving is a cottage industry for the Malays in ancient times and it is one of the tangible heritages that should be preserving and sustained. Unfortunately, it is not widespread and only covers the states on the East Coast as Kelantan, Terengganu and Pahang. Traditional Malay woodcarving depict...

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Main Authors: Abu Hassan, Nuratikah, Amin, Ponirin, Tohid, Suhaimi
Format: Conference or Workshop Item
Language:English
Published: 2016
Subjects:
Online Access:https://ir.uitm.edu.my/id/eprint/19932/1/PRO_NURATIKAH%20ABU%20HASSAN%20M%2016.pdf
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author Abu Hassan, Nuratikah
Amin, Ponirin
Tohid, Suhaimi
author_facet Abu Hassan, Nuratikah
Amin, Ponirin
Tohid, Suhaimi
author_sort Abu Hassan, Nuratikah
collection UITM
description Woodcarving is a cottage industry for the Malays in ancient times and it is one of the tangible heritages that should be preserving and sustained. Unfortunately, it is not widespread and only covers the states on the East Coast as Kelantan, Terengganu and Pahang. Traditional Malay woodcarving depicts the Malay concept of beauty, which governs seven basic principles, like spiritualism or mysticism, unity, symbolism, refinement, and flexibility. Furthermore, this study is to identify the Malay traditional woodcarving motifs in visual artworks based on interpretations of Malay aesthetic principles and elements in order to proven that the motifs is represent the Malay aesthetic concept. The various selected samples of artworks has been identify and analysed used a theory of Malay beauty concept by Zakaria Ali (1989). Qualitative methods are applied in this study and it based on the process of gather the data analysis form the literature within Malay aesthetic context and interlinking it to the visual analysis artwork. Indeed, the outcome of this study the motifs in the visual artworks which have represent a Malay aesthetic and it will sustain the uniqueness of Malay art in Malaysia for the next generations to appreciate it.
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spelling oai:ir.uitm.edu.my:199322018-09-21T09:35:14Z https://ir.uitm.edu.my/id/eprint/19932/ Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid Abu Hassan, Nuratikah Amin, Ponirin Tohid, Suhaimi N Visual arts (General) Arts and crafts movement Woodwork Woodcarving is a cottage industry for the Malays in ancient times and it is one of the tangible heritages that should be preserving and sustained. Unfortunately, it is not widespread and only covers the states on the East Coast as Kelantan, Terengganu and Pahang. Traditional Malay woodcarving depicts the Malay concept of beauty, which governs seven basic principles, like spiritualism or mysticism, unity, symbolism, refinement, and flexibility. Furthermore, this study is to identify the Malay traditional woodcarving motifs in visual artworks based on interpretations of Malay aesthetic principles and elements in order to proven that the motifs is represent the Malay aesthetic concept. The various selected samples of artworks has been identify and analysed used a theory of Malay beauty concept by Zakaria Ali (1989). Qualitative methods are applied in this study and it based on the process of gather the data analysis form the literature within Malay aesthetic context and interlinking it to the visual analysis artwork. Indeed, the outcome of this study the motifs in the visual artworks which have represent a Malay aesthetic and it will sustain the uniqueness of Malay art in Malaysia for the next generations to appreciate it. 2016 Conference or Workshop Item PeerReviewed text en https://ir.uitm.edu.my/id/eprint/19932/1/PRO_NURATIKAH%20ABU%20HASSAN%20M%2016.pdf Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid. (2016) In: Empowering Local Mind In Art Design & Cultural Herritage 3rd ISME International Colloquium 2016, 27 & 28 December 2016, Universiti Teknologi MARA, Melaka.
spellingShingle N Visual arts (General)
Arts and crafts movement
Woodwork
Abu Hassan, Nuratikah
Amin, Ponirin
Tohid, Suhaimi
Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_full Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_fullStr Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_full_unstemmed Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_short Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_sort malay aesthetic concept through malay woodcarving motifs in visual artworks nuratikah abu hassan ponirin amin and suhaimi tohid
topic N Visual arts (General)
Arts and crafts movement
Woodwork
url https://ir.uitm.edu.my/id/eprint/19932/1/PRO_NURATIKAH%20ABU%20HASSAN%20M%2016.pdf
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