The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.]
and or funny figures that can make people laugh. Aside from entertainment purposes, cartoons are also used to send messages without a serious tone and indirectly telling something sarcastically. In April 2019, Malaysia was shocked by the headline that ‘Doraemon’ had been selected to represent th...
Main Authors: | , , , |
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Format: | Article |
Language: | English |
Published: |
Universiti Teknologi MARA, Kedah
2020
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Subjects: | |
Online Access: | https://ir.uitm.edu.my/id/eprint/35405/1/35405.pdf |
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author | Mohd Khalis, Faryna Mustaffa, Normah Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera |
author_facet | Mohd Khalis, Faryna Mustaffa, Normah Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera |
author_sort | Mohd Khalis, Faryna |
collection | UITM |
description | and or funny figures that can make people laugh. Aside from
entertainment purposes, cartoons are also used to send
messages without a serious tone and indirectly telling something
sarcastically. In April 2019, Malaysia was shocked by the
headline that ‘Doraemon’ had been selected to represent the
Japanese themed cartoon exhibition in conjunction with Visit
Malaysia 2020. Malaysian art activists, specifically those who
has a cartoon animation background, were very upset and
expressed their dissatisfaction with the news. Local legendary
cartoonist Datuk Lat also showed his disappointment and made
a stand that a local cartoon character should have been chosen
to represent Malaysia. Therefore, this research aims to illustrate
the development of Malaysian cartoons from when they first
started in newspapers, until their existence today in the form of
animation on digital platforms. In sequence, Malaysia
produced cartoons in newspapers, magazines, blogs, television
and cinema, whereby this is in parallel with the development of
technology. From hand-drawn art for ‘Usop Sontorian’ to digital
animation for the film ‘Upin dan Ipin’, Malaysians should be more
appreciative and proud of our local cartoons rather than those
from other countries. |
first_indexed | 2024-03-06T02:28:36Z |
format | Article |
id | oai:ir.uitm.edu.my:35405 |
institution | Universiti Teknologi MARA |
language | English |
last_indexed | 2024-03-06T02:28:36Z |
publishDate | 2020 |
publisher | Universiti Teknologi MARA, Kedah |
record_format | dspace |
spelling | oai:ir.uitm.edu.my:354052021-03-31T05:19:20Z https://ir.uitm.edu.my/id/eprint/35405/ The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] voa Mohd Khalis, Faryna Mustaffa, Normah Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera Cinematography. Motion pictures Animation (Cinematography) and or funny figures that can make people laugh. Aside from entertainment purposes, cartoons are also used to send messages without a serious tone and indirectly telling something sarcastically. In April 2019, Malaysia was shocked by the headline that ‘Doraemon’ had been selected to represent the Japanese themed cartoon exhibition in conjunction with Visit Malaysia 2020. Malaysian art activists, specifically those who has a cartoon animation background, were very upset and expressed their dissatisfaction with the news. Local legendary cartoonist Datuk Lat also showed his disappointment and made a stand that a local cartoon character should have been chosen to represent Malaysia. Therefore, this research aims to illustrate the development of Malaysian cartoons from when they first started in newspapers, until their existence today in the form of animation on digital platforms. In sequence, Malaysia produced cartoons in newspapers, magazines, blogs, television and cinema, whereby this is in parallel with the development of technology. From hand-drawn art for ‘Usop Sontorian’ to digital animation for the film ‘Upin dan Ipin’, Malaysians should be more appreciative and proud of our local cartoons rather than those from other countries. Universiti Teknologi MARA, Kedah 2020 Article PeerReviewed text en https://ir.uitm.edu.my/id/eprint/35405/1/35405.pdf The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.]. (2020) Voice of Academia (VOA) <https://ir.uitm.edu.my/view/publication/Voice_of_Academia_=28VOA=29/>, 16 (2). pp. 68-82. ISSN 2682-7840 https://voa.uitm.edu.my/ |
spellingShingle | Cinematography. Motion pictures Animation (Cinematography) Mohd Khalis, Faryna Mustaffa, Normah Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] |
title | The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] |
title_full | The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] |
title_fullStr | The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] |
title_full_unstemmed | The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] |
title_short | The evolution of Malaysian cartoon animation / Faryna Mohd Khalis...[et al.] |
title_sort | evolution of malaysian cartoon animation faryna mohd khalis et al |
topic | Cinematography. Motion pictures Animation (Cinematography) |
url | https://ir.uitm.edu.my/id/eprint/35405/1/35405.pdf |
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