| Summary: | This chapter discusses the extent to which a Chinese export has played a part in the realities and identities of varied communities, as well as the re-fashioning of Chinese exports into a fashion commodity. It traces the origin and development of Red-White-Blue, and its connotations and cultural significance to Hong Kong and communities across several continents. Through its biography, this chapter unpacks how various communities adopted and (re)interpreted their versions of Red-White-Blue bags. The chapter concludes with a discussion of Louis Vuitton’s replica of this plaid bag. The questions addressed here include authenticity, cultural identity, and the power dynamic between high and low culture. Specifically, the chapter juxtaposes Western fashion institutions and Asian street culture, and examines the relationship of Chinese production to the European-American fashion system. The analysis draws on empirical and ethnographic research, including interviews with makers and users, and detailed readings of the contemporary global fashion scene as represented in the traditional press and on the Web.
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