Connecting man and nature: philosophical meanings of Zhu Xi's poetry
<p>My thesis closely analyzes the shi poetry of the Song dynasty philosopher Zhu Xi (1130-1200). I look at its deep structure, especially the tensions embedded therein between literature and philosophy, and between his inner mind and the external world, manifested in ways different from what h...
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| Format: | Thesis |
| Language: | English |
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2014
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| _version_ | 1826315426759442432 |
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| author | Liu, S |
| author2 | Ditmanson, P |
| author_facet | Ditmanson, P Liu, S |
| author_sort | Liu, S |
| collection | OXFORD |
| description | <p>My thesis closely analyzes the shi poetry of the Song dynasty philosopher Zhu Xi (1130-1200). I look at its deep structure, especially the tensions embedded therein between literature and philosophy, and between his inner mind and the external world, manifested in ways different from what he taught in his philosophical works. Although his poetry itself is not considered to be aesthetically outstanding, I suggest that it is crucial to a better understanding of the evolution of Zhu’s philosophical project on the relationship between humans and the natural world. Zhu Xi wanted to establish and defend a coherent and practical self-cultivation theory, which would enable people to recognize the dao through daily experiences. Nevertheless, in his poetry production, he was facing a long-entrenched influential poetic tradition with its emphasis on the outer world described by embellished words and spontaneous overflow of emotions, while leaving an open end for the meanings or less discriminatively appealing to the Daoist or Buddhist idea of transcendence, the logic of which fundamentally contradicts that of daoxue construction. This made it impossible to achieve the dao in a this-worldly fashion. The contradiction had to be reconciled by Zhu Xi in his poems, an issue that he actually wrestled with throughout his life. Consequently, the style of Zhu Xi’s poetry was differentiated from both that of other Neo-Confucians and indeed that of any other poets in Chinese history. In his poetic texts, the tension between the outer world, inner emotions and philosophical inclination is more intensified, and the exploration of the relationship between man and nature more focused and conscious. In this thesis, I present an aesthetic world of Zhu Xi beyond all his ambiguous philosophical discussions, unfavorable comments on poetry, and his profoundly contradictory attitudes towards versifying.</p> |
| first_indexed | 2024-03-06T18:07:21Z |
| format | Thesis |
| id | oxford-uuid:01e07a0b-c9b1-429e-aea8-c8dd31117944 |
| institution | University of Oxford |
| language | English |
| last_indexed | 2024-12-09T03:25:28Z |
| publishDate | 2014 |
| record_format | dspace |
| spelling | oxford-uuid:01e07a0b-c9b1-429e-aea8-c8dd311179442024-12-01T09:04:04ZConnecting man and nature: philosophical meanings of Zhu Xi's poetryThesishttp://purl.org/coar/resource_type/c_db06uuid:01e07a0b-c9b1-429e-aea8-c8dd31117944Oriental philosophyLiteratures of other languagesEnglishOxford University Research Archive - Valet2014Liu, SDitmanson, PMeyer, D<p>My thesis closely analyzes the shi poetry of the Song dynasty philosopher Zhu Xi (1130-1200). I look at its deep structure, especially the tensions embedded therein between literature and philosophy, and between his inner mind and the external world, manifested in ways different from what he taught in his philosophical works. Although his poetry itself is not considered to be aesthetically outstanding, I suggest that it is crucial to a better understanding of the evolution of Zhu’s philosophical project on the relationship between humans and the natural world. Zhu Xi wanted to establish and defend a coherent and practical self-cultivation theory, which would enable people to recognize the dao through daily experiences. Nevertheless, in his poetry production, he was facing a long-entrenched influential poetic tradition with its emphasis on the outer world described by embellished words and spontaneous overflow of emotions, while leaving an open end for the meanings or less discriminatively appealing to the Daoist or Buddhist idea of transcendence, the logic of which fundamentally contradicts that of daoxue construction. This made it impossible to achieve the dao in a this-worldly fashion. The contradiction had to be reconciled by Zhu Xi in his poems, an issue that he actually wrestled with throughout his life. Consequently, the style of Zhu Xi’s poetry was differentiated from both that of other Neo-Confucians and indeed that of any other poets in Chinese history. In his poetic texts, the tension between the outer world, inner emotions and philosophical inclination is more intensified, and the exploration of the relationship between man and nature more focused and conscious. In this thesis, I present an aesthetic world of Zhu Xi beyond all his ambiguous philosophical discussions, unfavorable comments on poetry, and his profoundly contradictory attitudes towards versifying.</p> |
| spellingShingle | Oriental philosophy Literatures of other languages Liu, S Connecting man and nature: philosophical meanings of Zhu Xi's poetry |
| title | Connecting man and nature: philosophical meanings of Zhu Xi's poetry |
| title_full | Connecting man and nature: philosophical meanings of Zhu Xi's poetry |
| title_fullStr | Connecting man and nature: philosophical meanings of Zhu Xi's poetry |
| title_full_unstemmed | Connecting man and nature: philosophical meanings of Zhu Xi's poetry |
| title_short | Connecting man and nature: philosophical meanings of Zhu Xi's poetry |
| title_sort | connecting man and nature philosophical meanings of zhu xi s poetry |
| topic | Oriental philosophy Literatures of other languages |
| work_keys_str_mv | AT lius connectingmanandnaturephilosophicalmeaningsofzhuxispoetry |