'Tonality, clarity, strength': gesture, form, and Nordic identity in Carl Neilsen's piano music
Identifying elements of a Nordic subjectivity in the music of Carl Nielsen is a complex exercise. As Naomi Cumming has observed, we construct musical subjectivity in multiple ways, some of which we perceive as a 'composer's voice'. But musical identity is properly a tension between co...
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| Μορφή: | Journal article |
| Γλώσσα: | English |
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Oxford University Press
2005
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